Tuscan folk-lore and sketches, together with some other papers — John Shaqi
Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
And when, the rough white cloth being spread in the visitor’s honour,
the family cluster round the mediæval oil-lamp that makes a little
ruddy blot in the darkness beyond, we are more than ever struck at the
wonderful ease and good-breeding displayed in word and movement by
these peasants who do the hardest work and live the roughest of lives.
The women especially have something indescribably lady-like about them,
as they sit eating contentedly, perhaps without any plate, or pass from
one to another one of the pocket-knives which are the only cutting
implements on the table; or, it may be, question “my man,” as to the
length of time that will be needed on the morrow to gather in the
olives from a certain part of the _podere_. The more one has to do with
these Tuscan peasants the more constrained does one feel to adopt the
cant phrase, and call them emphatically Nature’s aristocracy.
A TUSCAN FARMHOUSE
OF all my experiences among the Tuscan peasants of the Pistoiese,
none, perhaps, was more thoroughly characteristic than a three days’
visit at a farm-house just above the village I was staying in. I had
just returned from the woods with my hammock, and was feeling rather
listless in the absence of my peasant companion, when the farmer’s
wife, who happened to be in the village that day, said to me, half
joking, half in earnest:—
“Come home with me to the Cavi, Signorina; come and sleep there
to-night.”
I jumped at the proposal, borrowed a big kerchief from my landlady,
put a few things into it in the most approved peasant fashion, and we
started off together.
I had already been to this farm with some friends for a picnic. On
that day the people were threshing and treading the straw; and the
stone-paved _aia_ or threshing-floor before the house was bright
with the corn, and resonant with the sound of the flail. Then, when
the sun’s rays were less strong—for the peasants only thresh in the
bright sunlight—two cows and a donkey were produced, and led round
and round, knee-deep in the straw, to break it up for their winter
food. I had been much struck at the time by the extreme primitiveness
of the labour, though I could not help confessing that the swinging
flails, yellow corn, and lazily moving animals formed a very much more
picturesque contrast to the low grey stone house, and the blackness of
its three open doorways, than any threshing-machine could have done.
Nothing of the kind was going on, however, when my hostess and I
emerged from the chestnut woods on this cool September evening. The
farmer, just back from his digging in the fields,—there are no
ploughs,—was taking a meditative walk in front of the house.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account