Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
We accordingly cut them into pieces about an inch square, and then,
taking a pile in our hands, threw them one by one into the boiling salt
and water of the cauldron. While they were cooking we made the tomato
sauce, and the farmer grated the cheese; and by the time these were
ready, and the table laid, the _maccheroni_ could be taken off the fire.
It was now quite dark, the only light came from the dancing flames;
and the whole family, including the broad-shouldered shepherdess,
assembled in the kitchen to watch the progress of events. By the
side of the fire sat the daughter-in-law, a beautiful, fair-haired,
refined-looking woman, unswaddling her baby; in the middle of the
floor, lighted from the right by the fire, my little grey-haired
hostess was kneeling in front of the cauldron and fishing up the
_maccheroni_, which she put in layers into a huge red earthern pipkin;
and on the other side of the cauldron was the farmer with the tomato
sauce, some of which he poured into the pipkin as each layer was
completed, adding cheese, pepper and salt. Then there were the two
sons, Beppe, low-built and square-cut, and Sandro, the baby’s father,
more slender, more courteous in manner, but also more lazy; and lastly,
two dogs and two cats who prowled on the outside of the group, in eager
expectation of their supper.
The _maccheroni_ being now all transferred to the pipkin, the water
was given to the dogs and cats, and we went into the parlour to eat.
Needless to say there was no dressing for dinner. The men came in
their hats and shirt-sleeves, the women in their bright kerchiefs.
Yet certain rules of etiquette were strictly observed. The system of
_complimenti_, for instance, was carried to an extent that seemed
ridiculous to English eyes. The mother would fill the son’s plate,
he would declare he could not eat so much, she would continue
to press him, he to refuse, until the voices grew quite loud and
excited. When it came to serving the shepherdess, things came almost
to a good-natured quarrel. She was a low-built, broad-shouldered,
broad-backed girl of about fifteen, of almost gigantic strength,
who strode along in her hob-nailed shoes as though she had the
seven-leagued boots on. I was evidently a great novelty to her, for
she could scarcely eat for looking at me, and presently set the table
in a roar of laughter by coming out with a:—“No, thank you,” instead
of the usual blank “No.” Opposite to me sat Sandro with his wife and
baby. Charming indeed was it to see the way in which the young fellow
fondled and nursed the little one. When he came home from the fields,
the first thing he did was to take it in his arms, and sit down on the
doorstep in the sunlight; at supper-time he neglected himself to play
with it and feed it. There is a great fund of kindness in the Italian
character, crossed, however, by a vein of strange hard cruelty, arising
perhaps from a remarkable want of dramatic imagination. Sandro and his
Public-domain text, read in full here on John Shaqi.
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