Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot SeriesAberigh-Mackay, George
General
Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series
Aberigh-Mackay, George
India -- Description and travel; India -- Politics and government -- 1765-1947; India -- Social life and customs
She certainly knows how to dress. Her weeds sit easily and smoothly on
their delightful mould. You might think of her as a sweet, warm statue
painted in water-colours. (Who wouldn't be her Pygmalion?) If she adds
a garment it is an improvement; if she removes a garment it is an
improvement; if she dresses her hair it is better; if she lets it fall
in a brown cascade over her white shoulders it is still better; when
it is yet in curl-papers it is charming. If you smudge the tip of her
nose with a burnt cork the effect is irresistible; if you stick a
flower in her hair it is a fancy dress, a complete costume--she
becomes Flora, Aurora, anything you like to name. Yet I have never
clothed her in a flower, I have never smudged her nose with a burnt
cork, I have never uncurled her hair. Ali Baba's character must not go
drifting down the stream of gossip with the Hill Captains and the
Under-Secretaries. But I hope that this does not destroy the argument.
The argument is that she is quite too delightful, and therefore blown
upon by poisonous whispers.
Her bungalow is an Elysium, of course; it is a cottage with a
verandah, built on a steep slope, and buried deep in shrubbery and
trees. Within all is plain, but exquisitely neat. A wood fire is
burning gaily, and the kindly tea-tray is at hand. It is five o'clock.
Clean servants move silently about with hot water, cake, &c. The
little boy, a hostage from papa in the warm plains below, is sitting
pensive, after the fashion of Anglo-Indian children, in a little
chair. His bearer crouches behind him. The unspeakable widow, in a
tea-gown dimly splendid with tropical vegetation in neutral tints,
holds a piece of chocolate in her hand, while she leans back in her
fauteuil convulsed with laughter. (It is not necessary to say that Ali
Baba is relating one of his improving tales.) How pretty she looks,
showing her excellent teeth and suffused with bright warm blushes,
[which, I beg leave to explain, proceed from drinking hot tea and
indulging in immoderate laughter, not from listening to A.B.'s
improving tales!] As I gaze upon her with fond amazement, I murmur
mechanically:--
Mine be a cot beside the hill;
A tea-pot's hum shall soothe my ear,
A widowy girl, that likes me still,
With many a smile shall linger near.
Public-domain text, read in full here on John Shaqi.
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