Ghosts -- Fiction; Invalids -- Fiction; Women authors -- Fiction
Margaret Belinda Rysam was the daughter of a New Yorker on the up-grade.
Her father began to make money when she was a baby and never left off,
even to take breath, until she was between thirteen and fourteen. Then
his wife died, not of a broken heart, but of her appetites fed to
repletion, and an overwhelming desire for further provender. Her poor
mouth, so much larger than her stomach, was always open. He piled a
great house on Fifth Avenue into it and a bewilderment of furniture,
modern old Masters and antiquities, also pearls and other jewellery. She
never shut it, although later there were a country house to digest and
some freak entertainments, a multiplicity of reporters and a few
disappointments. The really “right people” were difficult to secure, the
nearly “right people” were dust and ashes. A continental tour was to
follow and a London season.... Before they started she died of a surfeit
which the doctors called by some other name and operated upon,
expensively.
In the pause of the hushed house and the funeral Edgar B. Rysam began to
think that perhaps he had made sufficient money. He really grieved for
that poor open mouth and those upturned grasping hands, realising that
it was to overfill them that he had worked. He gave up his office and
found the days empty, discovered his young daughter, and, nearly to her
undoing, filled them with her. During her mother’s life she had been
left to the happy seclusion of nursery or schoolroom; subsidiary to the
maelstrom of gold-dispensing. Now she had more governesses and tutors
than could be fitted into the hurrying hours, and became easily aware of
her importance, that she was the adored and only child of a widowed
millionaire. Forced into concentrating her entire attention upon herself
she discovered a remarkable personality. Bent at first on astonishing
her surroundings she succeeded in astonishing herself. She found that
she acquired knowledge with infinite ease and had a multiplicity of
minor talents. She wrote verses and essays, sang, and played on various
instruments. Highly paid governesses and tutors exclaimed and
proclaimed. The words prodigy, and genius, pursued and illuminated her.
At the age of sixteen no subject seemed to her so interesting as the
consideration of her own psychology.
Nothing could have saved her at this juncture but what actually
occurred. For she had no incentive to concentration, and every battle
was won before it was fought. To be was almost sufficient. To do,
superfluous, almost arrogant.
Public-domain text, read in full here on John Shaqi.
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