Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
“It was,” conceded Teddie. She was more than serious, she was even grim
about it all. And if Gerry West had laughed at her, at any moment of
that perilous mood, everything would have been over between them.
But Gerry was solemnity itself. “Go on!” he said, almost bruskly.
“Now Raoul Uhlan claims that he’s lost a valuable commission
through—through what was done to him. And the young lady who’s
interested in Gunboat Dorgan seems to think because I had him protect me
in this way that I’ve interfered with her claim on this hero of hers.”
“In what way interfered with him?” demanded Gerry.
“That I’ve—that I’ve made love to him,” acknowledged the none too happy
Theodora Lydia.
“Why do you say that?”
“Because she’s seeing her lawyer about it.”
“And this man Uhlan?”
“He sent his attorney, a man named Shotwell, to my studio to explain
that because of his injuries he couldn’t paint his
twelve-thousand-dollar portrait. I was quite willing to pay for that
until old Shotwell put in another claim for twelve thousand dollars for
damages in general and an extra thousand for himself.”
“So they’re all trying after a bite,” commented Gerry, studying his
engagement-pad. “Now, tell me, Miss Hayden——”
“Don’t do that,” was Teddie’s sharp command.
“Don’t do what?”
“Don’t call me Miss Hayden.”
“All right, Teddie,” acquiesced her counsel-at-law, without a break in
his solemnity. “But the first thing you must tell me is just what you
intend doing.”
“I don’t know _what_ to do. That’s why I came to see you. That’s what
I’m willing to pay you for. But it’s not entirely unnatural, I think, to
nurse a fixed aversion to be chased around the map by an army of
reporters and subpœna-servers.”
“There are several things, of course, that we can do,” explained Gerry,
quite unruffled by this unmasking of the guns of irony. “But before we
go any further there’s a phase or two of the case I must understand. It
was in your studio, you say, that this assault took place?”
“I _hate_ that word!” interpolated Teddie.
“Well—er—this incident. Now, had you forbidden this man Uhlan entry,
warned him away, and all that sort of thing?”
“No, he was coming there three times a week, to give me lessons,”
explained Teddie.
“For which he was being duly paid?”
“No, nothing was ever said about his being paid,” she acknowledged. And
Gerry’s increase of gravity didn’t altogether add to her happiness.
“And the day he got his thumping—why did he come to your studio on that
occasion?”
For the second time Teddie hesitated. Life, after all, wasn’t so simple
as she had once imagined it.
“He came to make love to me,” she finally admitted, not meeting Gerry’s
eyes. “And I had Gunboat Dorgan there to give him what he deserved.”
Gerry wagged his head. He did so with what impressed Teddie as quite
unnecessary solemnity.
“Now, about this man Dorgan: He knew exactly why he was doing what he
did?”
“Of course!”
Public-domain text, read in full here on John Shaqi.
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