Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
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Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
When Teddie left Gerald Rhindelander West’s office she left behind her
more than a blue-fox canteen muff. She left the last of her confidence
in life, the last of her belief in mankind. She found herself compelled
to face a world that seemed too big and brutal for even the valorous
spirit of youth. And after a vast amount of frantic and quite fruitless
thinking she also found herself compelled to eat crow. The current was
too strong for her. It had tired her out, and baffled her, and broken
down both her will-power and her pride. Much as she hated to do it, she
felt that her only way out was to compromise with Raoul Uhlan. Right or
wrong, she would pay the man’s claim and get the thing over with.
A quick assessment of her immediate means, however, showed her that she
had little more than half enough money to meet his demand. So she
promptly stopped in at the Waldorf telegraph desk and sent a message to
her Uncle Chandler at Hot Springs.
“Please wire my banker,” she said, “eleven thousand dollars without
delay or foolish questions, as it is urgent. Lovingly, Teddie.”
Her Uncle Chandler, after frowning for a full hour over this unexpected
message, none too willingly wired instructions for eleven thousand
dollars to be placed to the credit of his niece. Then, after still
another hour of troubled thought, he sent a day-letter off to old
Commodore Stillman at the Nasturtium Club explaining that he had reason
to believe that Theodora was in some sort of trouble and requesting him
to drop quietly down to the girl’s studio and have a look around to see
just what was wrong.
And the Commodore in question, instead of being upset by this calamitous
intimation of beauty in distress, adjusted his cravat and stopped in at
Thorley’s for the insertion of a Richmond rose-bud in the button-hole of
his right-hand lapel. Then he toddled blithely down to the wilds of
Greenwich Village, where he arrived at Teddie’s studio just in time to
see an urbane old gentleman pocket, with an air of quiet but unqualified
satisfaction, a narrow slip of paper which looked remarkably like a
bank-check. He stood aside, however, until this triumphant-eyed old
gentleman had bowed himself triumphantly out, whereupon it came to his
attention that his somewhat abstracted young hostess remained undeniably
divorced from the customary buoyancies of youth.
Public-domain text, read in full here on John Shaqi.
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