Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
The king went to the palace with a sad face. He told his courtiers how
unsuccessful he had been, and went to his private room. The next day at
two o'clock in the afternoon the shepherd returned the twelve hares.
Not a single hare was changed.
But the king still refused to fulfill his promise. He told the shepherd
to fill a bag with all the bad words he knew. The shepherd uttered
every kind of bad words; but the bag was still empty. But one thing
came to his mind. He said loudly, "The princess scrubbed my kitchen
yesterday afternoon." The princess jumped from her seat and said, "The
bag is full."
"No," said the king. "Continue." "The king," said the shepherd,
"wa--wa--wash----" The king jumped from his throne and said, "That's
enough," and tied the bag. The marriage was then arranged and the next
day the shepherd and the princess were married.
From this time on the shepherd and princess lived happily for many
years. He succeeded his father-in-law as king.
--Vincente M. Hilario.
CHAPTER II
THE SYMBOLIC-DIDACTIC GROUP
We now turn to a set of stories with a new basis, the symbolic-didactic
narratives: fables, parables, and allegories. By the word "symbolic"
we shall understand that the stories mean something more than appears
on the surface. By "didactic," the fact that the narratives are told
for the purpose of teaching a lesson. The hearer no more believes in
the mere literal occurrence than does the narrator himself. The meaning
is the concern of both. For the time being, the story-teller has set
himself up as a preacher, or the preacher as a story-teller. His object
is to make vivid and dramatic a lesson in manners, morals, religion,
politics, or art.
I. The Fable
[Æsop]
The fable is a very old type of narrative, so old that critics are not
sure of the place of its origin. Some think that it rose at the court
of Crœsus with Æsop and spread eastward and westward. Others maintain
that it came from India to the court of the Lydian king, and was
adopted by Æsop, the king's state orator, as a most convenient device
for impressing political lessons on a restless people in a scattered
empire. Others say that there never was a man Æsop at all. But legend
goes into detail to the effect that this ancient politician was once a
slave and that he rose from his servile condition to be the counsellor
of kings by the sheer force of his brains and an appreciation of
practical problems (much as our self-made men of today have risen).
Once even, when sent as a royal messenger to a rebellious and distant
part of the empire, he quelled a mob and saved his own life by his
ready wit in telling a story and applying the moral. He wrote nothing
himself, legend goes on to admit, but he scattered his practical
narratives far and wide, and they were finally collected as a distinct
species of literature.
[Other early fabulists]
Public-domain text, read in full here on John Shaqi.
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