Under Lock and Key: A Story. Volume 1 (of 3)Speight, T. W. (Thomas Wilkinson)
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Under Lock and Key: A Story. Volume 1 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
The tired captain gave a sigh of relief and gratitude, and flung
himself into an easy-chair as the door closed behind his conductor.
His two rooms were _en suite_, and while as replete with comfort as
the most thorough-going Englishman need desire, had yet about them a
touch of lightness and elegance that smacked of a taste that had been
educated on the Continent, and was unfettered by insular prejudices.
"At Stapleton I had a loft that was hardly fit for a groom to sleep
in; here I have two rooms that a cardinal might feel proud to occupy.
Vive la Russe!"
M. Platzoff was waiting at the foot of the staircase when Ducie went
down. A cordial greeting passed between the two, and the host at once
led the way to the dining-room. Platzoff in his suit of black and
white cravat, with his cadaverous face, blue-black hair, and
chin-tuft, and the elaborate curl on the top of his forehead, looked,
at the first glance, more like a ghastly undertaker's man, or a waiter
at a foreign café, than the host of an English country house. But a
second glance would have shown you his embroidered linen, and the
flashing gems on his fingers; and you could not be long with him
without being made aware that you were in the company of a thorough
man of the world--of one who had travelled much and observed much; of
one whose correspondents kept him _au courant_ with all the chief
topics of the day. He knew, and could tell you, the secret history of
the last new opera; how much had been paid for it, what it had cost to
produce, and all about the great green-room cabal against the new
prima donna. He knew what amount of originality could be safely
claimed for the last new drama that was taking the town by storm, and
how many times the same story had been hashed up before. He had read
the last French novel of any note, and could favour you with a few
personal reminiscences of its author not generally known. As regarded
political knowledge--if all his statements were to be trusted--he was
informed as to much that was going on behind the great drop-scene. He
knew how the wires were pulled that moved the puppets who danced in
public, especially those wires which were pulled at Paris, Vienna, and
St. Petersburg. Before Ducie had been six hours at Bon Repos he knew
more about political intrigues at home and abroad than he had ever
dreamt of in the whole course of his previous life.
Public-domain text, read in full here on John Shaqi.
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