Under Lock and Key: A Story. Volume 2 (of 3)Speight, T. W. (Thomas Wilkinson)
General
Under Lock and Key: A Story. Volume 2 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
Mr. James Madgin was first low comedian at one of the transpontine
theatres. The height of his ambition was to have the offer of an
engagement from one of the West-end managers. Only give him the
opportunity, and he felt sure that he could work his way with a
cultivated audience. When a lad of sixteen he had run away from home
with a company of strolling players, and from that time he had been a
devoted follower of Thespis. He had roughed it patiently in the
provinces for years, his only consolation during a long season of
poverty and neglect arising from the conviction that he was slowly but
surely improving himself in the difficult art he had chosen as his
mode of earning his daily bread. When the manager of the Royal Tabard,
then on a provincial tour, picked him out from all his brother actors,
and offered him a metropolitan engagement, James Madgin thought
himself on the high road to fame and fortune. Time had served to show
him the fallacy of his expectations. He had been four years at the
Royal Tabard, during the whole of which time he had been in receipt of
a tolerable salary for his position--that of first low comedian; but
fame and fortune seemed still as far from his grasp as ever. With
opportunity given him, he had hoped one day to electrify the town. But
that hope was now buried very deep down in his heart, and if ever
brought out, like an "old property," to be looked at and turned about,
its only greeting was a quiet sneer, after which it was relegated to
the limbo whence it had been disinterred. James Madgin had given up
the expectation of ever shining in the theatrical system as a "great
star;" he was trying to content himself with the thought of living and
dying a respectable mediocrity,--useful, ornamental even, in his
proper sphere, but certainly never destined to set the Thames on fire.
The manager of the Tabard had recently died, and at present James
Madgin was in want of an engagement.
As father and son sat together at table, you might, knowing their
relationship to each other, have readily detected a certain likeness
between them; but it was a likeness of expression rather than of
features, and would scarcely have been noticed by any casual observer.
Madgin junior was a fresh-complexioned, sprightly young fellow of six
or seven-and-twenty, with dark, frank-looking eyes, a prominent nose,
and thin mobile lips. He had dark-brown hair, closely cropped; and, as
became one of his profession, he was guiltless of either beard or
moustache. Like Mirpah, he inherited his eyes and nose from his
mother, but in no other feature could he be said to resemble his
beautiful sister.
Public-domain text, read in full here on John Shaqi.
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