Under Lock and Key: A Story. Volume 2 (of 3)Speight, T. W. (Thomas Wilkinson)
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Under Lock and Key: A Story. Volume 2 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
"All these statements and suppositions you will of course accept _cum
grano salis_. They may have their value as serving to give you a rude
and exaggerated idea as to what manner of man is the owner of Bon
Repos; and it is quite possible that some elements of truth may be
hidden in them. To me, M. Platzoff seems nothing more than a mild old
gentleman; a little eccentric, it may be, as differing from our
English notions in many things. Not a smiling fiend in patent boots
and white cravat, whose secret soul is bent on murder and rapine; but
a shy valetudinarian, whose only firebrand is a harmless fusee
wherewith to light a pipe of fragrant Cavendish.
"One permanent guest we have at Bon Repos--a guest who was here before
my arrival, and of whose departure no signs are yet visible. That is
why I call him permanent. His name is Ducie, and he is an ex-captain
in the English army. He is a tall, handsome man of four or
five-and-forty, and is a thorough gentleman both in manners and
appearance. I like him much, and he has taken quite a fancy to me. One
thing I can see quite plainly: that he and Cleon are quietly at
daggers drawn. Why they should be so I cannot tell, unless it is that
Cleon is jealous of Captain Ducie's influence over Platzoff, although
the difference in social position of the two men ought to preclude any
feeling of that kind. Captain Ducie might be M. Platzoff's very good
friend without infringing in the slightest degree on the privileges of
Cleon as his master's favourite servant. On one point I am certain:
that the mulatto suspects Ducie of some purpose or covert scheme in
making so long a stay at Bon Repos. He has asked me to act as a sort
of spy on the captain's movements; to watch his comings and goings,
his hours of getting up and going to bed, and to report to him, Cleon,
anything that I may see in the slightest degree out of the common way.
Public-domain text, read in full here on John Shaqi.
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