Amnesiacs -- Fiction; New York (State) -- Social life and customs -- Fiction; Trials -- Fiction; Young women -- Fiction
"Are the blackberries ripening?"
Colter slowly rose. Minga, standing lost in a stare of curiosity,
saw the tall, straight, loosely-built figure and finely modeled face
with its thin and curiously yearning line from cheek to jaw. The eyes
of a hot blue were very intense, and the curious backward swath of
deep chestnut hair made an unusual setting for the chiseling of a face
that, while it was still young, was curiously marred with suffering,
yet had something of debonair quality that the girl was too immature
to analyze. Minga, hardly knowing why she did so, looked at the hands
closed easily on the garden rake. Even to her crude perception they
were disciplined hands with the signs of other than coarse toil upon
them.
Colter, in answering the question, advanced toward them. Both girls
were conscious of the clean, trim set effect of the working shirt
on his well-built frame; the tie was exact under his soft collar.
His voice when he spoke was low, with a weak, shaky emphasis, but he
answered Sard's question interestedly, "I think these berries could be
greatly improved. The vines have grown full of dead wood. I've done a
little cutting away, and perhaps with better soil treatment," he nodded
to the pears, "they're very fine just now. Judge Bogart wants me to
take a basket of them up to Mrs. Ralling. She lives on the upper road,
I think."
Perhaps there is nothing so surely indicative of certain training and
breeding as the pronunciation of proper names, particularly names that
have R and L in them. The foreigner in our country slurs these letters
with childlike confidence. The badly-bred person, ear untrained to
niceties of speech, furs the R and gobbles the L and chews his vowels.
These are the curious unconscious ways by which the American shows
his contempt of all distinguished nuances. Colter, so the two young
girls observed, did none of these things. Neither did he employ the
over-stressed nicety, the too careful method of the person who has
not always spoken correctly. What he had to say he said gently, half
thoughtfully. He stood looking at the girls without familiarity, but he
showed no constraint.
"I found your book, Miss Bogart." Colter drew the volume out of his
coat hanging on a pear tree.
Sard reached eagerly for it. "Then I did leave it out here!"
She turned to Minga. "I was reading it here the day before you
came--all this time in the grass, my 'Oxford Book of Verse,'" Sard, a
true book-lover, examined the little volume affectionately. "The leaves
don't seem to be hurt, and yet it rained two nights ago." She looked at
Colter. "You took care of it?"
He smiled in a pleased sort of way. "It was pretty well dampened, but
I found a way to dry it without streaking. I," he hesitated, "I know a
little about the treatment of wet paper." Colter looked off, knitting
his brows thoughtfully.
Public-domain text, read in full here on John Shaqi.
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