Under the Trees and ElsewhereMabie, Hamilton Wright
History
Under the Trees and Elsewhere
Mabie, Hamilton Wright
Essays; Natural history -- Outdoor books
And then there were those unbroken winter evenings, when one began
really to know the great modern masters of literature. What would one
not give to have them back again, with their undisturbed hours ending
only when the fire or the lamp gave out! Those were nights of royal
fellowships, of introduction into the noblest society the world has
ever known, and it is the recollection of this companionship which
gives those days under college roofs a unique and perennial charm.
Then first the spirit of our own race was revealed to us in Chaucer,
Shakespeare, and Milton; then first we thrilled to that music which has
never faltered since Caedmon found his voice in answer to the heavenly
vision. There are days which will always have a place by themselves in
our memory, nights whose stars have never set, because they brought us
face to face with some great soul, and struck into life in an instant
some new and mighty meaning. The ferment of soul which Hazlitt
describes on the night when he walked home from his first talk with
Coleridge is no exceptional experience; it comes to most young men who
are susceptible to the influence of great thoughts coming for the first
time into consciousness. A lonely country road comes into view as I
write these words, and over it the heavens bend with a new and
marvellous splendour, because the boy who walked along its winding
course had just finished for the first time, and in a perfect tumult of
soul, Schiller's "Robbers;" it was the power of a great master, felt
through his crudest work, that filled the night with such magical
influences.
The hours in which we come in contact with great souls are always
memorable in our history, often the crises in our intellectual life; it
is the recollection of such hours that gives those bending elms an
imperishable charm, and lends to this landscape a deathless interest.
Chapter XVI
A Summer Morning
I do not understand how any one who has watched the breaking of a
summer day can question the noblest faiths of man. William Blake, with
that integrity of insight which is often the possession of the true
mystic, declared that when he was asked if he saw anything more in a
sunset than a round disk of fire, he could only answer that he saw an
innumerable company of the heavenly host crying "Holy, Holy, Holy Lord
God Almighty!" The birth of a day is a diviner miracle even than its
death. They were true poets who wrote the old Vedic hymns and sang
those wonderful adorations when the last stars were fading in the
splendour of the dawn. Beside the glory of the sun's announcement all
royal progresses are tawdry and mean; beside the beauty of the dawn,
slowly unveiling the day while the heavens wait in silent worship, all
poetry is idle and empty. It is the divinest of all the visible
processes of Nature, and the sublimest of all her marvellous symbolism.
Public-domain text, read in full here on John Shaqi.
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