Under the Trees and ElsewhereMabie, Hamilton Wright
History
Under the Trees and Elsewhere
Mabie, Hamilton Wright
Essays; Natural history -- Outdoor books
On such a morning as this, twelve years ago, Amiel wrote in his diary:
"The whole atmosphere has a luminous serenity, a limpid clearness. The
islands are like swans swimming in a golden stream. Peace, splendour,
boundless space! . . . I long to catch the wild bird, happiness, and
tame it. These mornings impress me indescribably. They intoxicate me,
they carry me away. I feel beguiled out of myself, dissolved in
sunbeams, breezes, perfumes, and sudden impulses of joy. And yet all
the time I pine for I know not what intangible Eden." In these few
words this master of poetic meditation suggests without expressing the
indescribable impression which a summer carries into every sensitive
nature.
Last night the world was sorrowful, worn, and dulled; but lo! the new
day has but touched it and all the invisible choirs are heard again;
the old hope returns like a tide, and out of the unseen depths a new
life breaks soundless upon the unseen shores and sends its hidden
currents into every dried and empty channel and pool. The worn old
world has been created anew, and God has spoken again the word out of
which all living things grow. In the silence and peace and freshness
of this morning hour one feels the inspiration of nature as a direct
and personal gift; the inbreathing, which has renewed the beauty and
fertility about him, renews his spirit also. He responds to the fresh
and invigorating atmosphere with a soul sensitive with sudden return of
zest to every beautiful sight and sound. No longer an alien in this
world which has never known human care and regret, he enters by right
of citizenship into all its privileges of unwatched freedom and
unclouded serenity. One is not absorbed by the glory of the morning,
but set free by it. There are times when Nature permits no rivalry;
she claims every thought and gives herself to us only as we give
ourselves to her. She effaces us and takes complete possession of our
souls. Not so, however, does she usurp the throne of our own personal
life in those early hours when the sun, the master artist, whose touch
has coloured every leaf and tinted every flower, demands her adoration.
Then it is, perhaps, that she turns her thoughts from all lesser
companionships and, rapt in universal worship, suffers us to pass and
repass as unnoticed as the idlers in the cathedral by those who kneel
at the chancel rail.
Public-domain text, read in full here on John Shaqi.
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