The whir of the locust high overhead, by some earlier association, always recalls that matchless singer, some of whose notes Nature has never regained in all these later years. The whir of the cicada and the white light on the remote country road are real to us today, though one went silent and the other faded out of Sicilian skies two thousand years and more ago, because both are preserved in the verse of Theocritus. The poet was something more than a mere observer of Nature, and the beautiful repose of his art more than the native grace and ease of one to whom life meant nothing more strenuous than a dream of a blue sea and fair sky. He had known the din of the crowded street as well as the silence of the country road, the forms and shows of a royal court as well as the simplicity and sincerity of tangled vines and gnarled olives on the hillside. He had seen, with those eyes which overlooked nothing, the pomps and vanities of power, the fret and fever of ambition, the impotence and barrenness of much of that activity in which multitudes of men spend their lives under the delusion that mere stir and bustle mean progress and achievement. Out of Syracuse, with its petty court about a petty tyrant, Theocritus had come back to the sea and the sky and the hardy pastoral life with a joy which touches some of his lines with penetrating tenderness. Better a thousand times for him and for us the long, tranquil days under the pine and the olive than a great position under Hiero's hand and the weary intrigue and activity which made the melancholy semblance of a successful life for men less wise and genuine. The lines which the hand of Theocritus has left on the past are few and marvellously delicate, but they seem to gain distinctness from the remorseless years that have almost obliterated the features of the age in which he lived. It is better to see clearly one or two things in life than to move confused and blinded in the dust of an impotent activity; it is better to hear one or two notes sung in the overshadowing trees than to spend one's years amid a murmur in which nothing is distinctly audible. Theocritus, shunning courts and cities, sought to assuage the pain of life at the heart of Nature, and did not seek in vain. He gave himself calmly and sincerely to the sweet and natural life which surrounded him, and in his tranquil self-surrender he gained, unsuspecting, the immortality denied his eager and restless cotemporaries [Transcriber's note: contemporaries?]. Life is so vast, so unspeakably rich, that to have reported accurately one swift glimpse, or to have preserved the melody of one rarely heard note, is to have mastered a part of the secret of the Immortals.