Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
The chamber itself looked out upon a terrace and garden, a garden
filled with such a marvellous profusion of foliage and flowers, that,
looking at it from between the glistening marble columns surrounding
the palace, it seemed as though the very sky above rested edgewise on
towering pyramids of red and white bloom. Awnings of softest pale blue
stretched across the entire width of the spacious outer colonnade,
where a superb peacock strutted majestically to and fro, with
boastfully spreading tail and glittering crest, as brilliant as the
gleam of the hot sun on the silver fringe of the azure canopies, amidst
the gorgeousness of waving blossoms that seemed to surge up like a sea
to the very windows of the chamber.
Filling an embossed bowl with perfumed water, Persephoné bathed the
hands of her mistress, who had sunk down upon a low, tapestried
couch. Then, combing out her luxuriant hair, she bound it in a
jewelled netting that looked like a constellation of stars against the
dusky masses it confined. Taking a long, sleeveless robe of amber,
Persephoné flung it about her subtle form and bound it over breast and
shoulders with a jewelled band. But Theodora's glance informed her that
something was still wanting and, following the direction of her gaze,
Persephoné's eye rested on a life-size statue of Hekaté that stood with
deadly calm on its inexorable face and slightly raised hands, from one
of which hung something that glittered strangely in the subdued light
of the recess.
Obeying Theodora's silent gesture, Persephoné advanced to the image and
took from its raised arm a circlet fashioned of two golden snakes with
brightly enamelled scales, bearing in their mouths a single diamond,
brilliant as summer lightning. This she gently placed on her mistress'
head, so that the jewel flamed in the centre of the coronet, then,
kneeling down, she drew together the unlatched sandals.
Persephoné's touch roused her mistress from a day dream that had set
her features as rigid as ivory, as she surveyed herself for a moment
intently in a great bronze disk whose burnished surface gave back her
flawless beauty line for line.
In Persephoné's gaze she read her unstinted admiration, for, beautiful
as the Circassian was, she loved beauty in her own sex, wherever she
found it.
Theodora seemed to have utterly forgotten the presence of the Grand
Chamberlain in the anteroom, yet, in an impersonal way, her thoughts
occupied themselves with the impending tete-a-tete.
Her life had been one constant round of pleasure and amusement, yet she
was not happy, nor even contented.
Public-domain text, read in full here on John Shaqi.
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