Art -- Italy -- Venice; Venice (Italy) -- Description and travel
We cannot follow Villeharduin through the vicissitudes of the siege
and counter-siege. He himself confesses in the relation of one point
alone that sixty books would not be able to recount all the words
that were spoken, and the counsels that were given and taken. In the
simple, terse and trenchant style that Frenchmen, and especially the
Frenchmen of the old chronicles, know how to wield so perfectly, he
tells us of the Doge’s wise counsel that the city should be approached
by way of the surrounding islands whence they might gather stores; of
the lords’ neglect of this counsel, “just as if no one of them had
ever heard of it”; of their investment of the palace of Alexius in
the place named Chalcedony, that was “furnished with all the delights
of the human body that could be imagined befitting the dwelling of a
prince”; of the capture of the city and the ravishing of its treasures
that were so great “that no man could come to an end of counting the
silver and the gold and plate and precious stones and samite and silken
cloth and dresses _vaire_ and grey, and ermines and all precious
things that were ever found on earth. And Jofroi de Villeharduin, the
Marshall of Champagne, will bear good witness that to his knowledge
since the centuries began there was never so great gain in a single
city.” The division of the booty necessarily occasioned heart-burning
and revealed certain vices of “covetoise” undreamed before. And as time
went on and still the passage to Palestine was delayed the sanctuaries
of the Greek Church were treated with barbarous irreverence and
despoiled of their treasure and sacred vessels. Then with the retaking
of Constantinople from Marzuflo there followed a time of abandonment
of men and leaders to their fiercest passions and the almost total
destruction of the city. Here again Venice stepped in, as the merchant
had stepped in to rescue treasure from the pile of Savonarola, to
enrich herself from the ruins of Constantinople.
Public-domain text, read in full here on John Shaqi.
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