Vestiges of the Mayas: or, Facts Tending to Prove That Communications and Intimate Relations Must Have Existed, in Very Remote Times, Between the Inhabitants of Mayab and Those of Asia and AfricaLe Plongeon, Augustus
History
Vestiges of the Mayas: or, Facts Tending to Prove That Communications and Intimate Relations Must Have Existed, in Very Remote Times, Between the Inhabitants of Mayab and Those of Asia and Africa
But if, as the Rev. Joseph A. Seiss and others pretend, the scientific
attainments required for the construction of such enduring monument
surpassed those of the learned men of Egypt, we must, of necessity,
believe that the architect who conceived the plan and carried out its
designs must have acquired his knowledge from an older people,
possessing greater learning than the priests of Memphis; unless we try
to persuade ourselves, as the reverend gentleman wishes us to, that the
great pyramid was built under the direct inspiration of the Almighty.
Nearly all the monuments of Yucatan bear evidence that the Mayas had a
predilection for number SEVEN. Since we find that their artificial
mounds were composed of seven superposed platforms; that the city of
Uxmal contained seven of these mounds; that the north side of the palace
of King CAN was adorned with seven turrets; that the entwined serpents,
his totem, which adorn the east façade of the west wing of this
building, have seven rattles; that the head-dress of kings and queens
were adorned with seven blue feathers; in a word, that the number SEVEN
prevails in all places and in everything where Maya influence has
predominated.
It is a FACT, and one that may not be altogether devoid of significance,
that this number SEVEN seems to have been the mystic number of many of
the nations of antiquity. It has even reached our times as such, being
used as symbol[TN-26] by several of the secret societies existing among
us.
If we look back through the vista of ages to the dawn of civilized life
in the countries known as the _old world_, we find this number SEVEN
among the Asiatic nations as well as in Egypt and Mayab. Effectively, in
Babylon, the celebrated temple of _the seven lights_ was made of _seven_
stages or platforms. In the hierarchy of Mazdeism, the _seven marouts_,
or genii of the winds, the _seven amschaspands_; then among the Aryans
and their descendants, the _seven horses_ that drew the chariot of the
sun, the _seven apris_ or shape of the flame, the _seven rays_ of Agni,
the _seven manons_ or criators of the Vedas; among the Hebrews, the
_seven days_ of the creation, the _seven lamps_ of the ark and of
Zacharias’s vision, the _seven branches_ of the golden candlestick, the
_seven days_ of the feast of the dedication of the temple of Solomon,
the _seven years_ of plenty, the _seven years_ of famine; in the
Christian dispensation, the _seven_ churches with the _seven_ angels at
their head, the _seven_ golden candlesticks, the _seven seals_ of the
book, the _seven_ trumpets of the angels, the _seven heads_ of the beast
that rose from the sea, the _seven vials_ full of the wrath of God, the
_seven_ last plagues of the Apocalypse; in the Greek mythology, the
_seven_ heads of the hydra, killed by Hercules, etc.
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