There was another sound outside, as of fiddlestrings being twanged by
the finger, and, as the boys hastily formed up in two lines down the
centre of the room and the Miss Mutlows and Dulcie prepared themselves
for the curtsey of state, there came in a little fat man, with
mutton-chop whiskers and a white face, upon which was written an
unalterable conviction that his manner and deportment were perfection
itself.
The two rows of boys bent themselves stiffly from the back, and Mr.
Burdekin returned the compliment by an inclusive and stately
inclination.
"Good afternoon, madam. Young ladies, I trust I find you well. (The
curtsey just a leetle lower, Miss Mutlow--the right foot less drawn
back. Beautiful! Feet closer at the recovery. Perfect!) Young gentlemen,
good evening. Take your usual places, please, all of you, for our
preliminary exercises. Now, the _chassée_ round the room. Will you lead
off, please, Dummer; the hands just lightly touching the shoulders, the
head thrown negligently back to balance the figure; the whole deportment
easy, but not careless. Now, please!"
And, talking all the time with a metrical fluency, he scraped a little
jig on the violin, while Dummer led off a procession which solemnly
capered round the room in sundry stages of conscious awkwardness. Mr.
Bultitude shuffled along somehow after the rest, with rebellion at his
heart and a deep sense of degradation. "If my clerks were to see me
now!" he thought.
After some minutes of this, Mr. Burdekin stopped them and directed sets
to be formed for "The Lancers."
"Bultitude," said Mr. Burdekin, "you will take Miss Mutlow, please."
"Thank you," said Paul, "but--ah--I don't dance."
"Nonsense, nonsense, sir, you are one of my most promising pupils. You
mustn't tell me that. Not another word! Come, select your partners."
Paul had no option. He was paired off with the tall and rather angular
young lady mentioned, while Dulcie looked on pouting, and snubbed
Tipping, who humbly asked for the pleasure of dancing with her, by
declaring that she meant to dance with Tom.
The dance began to a sort of rhythmical accompaniment by Mr. Burdekin,
who intoned "Tops advance, retire and cross. Balance at corners. (Very
nice, Miss Grimstone!) More '_abandon_,' Chawner! Lift the feet more
from the floor. Not so high as that! Oh, dear me! that last figure over
again. And slide the feet, oh, slide the feet! (Bultitude, you're
leaving out all the steps!")
Paul was dragged, unwilling but unresisting, through it all by his
partner, who jerked and pushed him into his place without a word, being
apparently under strict orders from the governess not on any account to
speak to the boys.
Public-domain text, read in full here on John Shaqi.
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