English poetry -- 19th century -- History and criticism; Great Britain -- History -- Victoria, 1837-1901
One of the most remarkable poetic affinities of recent times is to
be found between the genius of Francis Thompson and that of Alice
Meynell. However much these two poets may have resembled each other
in spiritual temperament no two could differ more decidedly in poetic
method. Thompson, whose manner is piled up in magnificence, exuberant
in trailing and intricate imagery, drenched with every perfume and
stained with every dye that he can extract from language at the
very pitch of eloquence, is in his diction the flushed and almost
breathless consummation of all the more luxuriant tendencies in
Victorian verse. Alice Meynell, on the other hand, with her diction so
chaste and disciplined and exact, her imagery so frugal and unadorned,
is a rarefied incarnation of the grave magic that the genius of Matthew
Arnold had caught from the seventeenth century, a century which in so
far as it worked upon Thompson did so rather in its florid ecstasy. And
yet the poet from whom both Thompson and Alice Meynell derived more
clearly than any other among the Victorians was Patmore, and it was no
doubt a consciousness that they inherited widely divergent strains from
a common parentage that accounted in some measure, at least, for their
responsiveness to each other, not merely in sympathetic appreciation,
but in their essential poetic natures. For Patmore, too, knew the
seventeenth century, and more consciously than did any other poet of
his time, and he knew it both in its serene logical enchantment and
in its almost demoniac spiritual fervour. He wore both manners with a
Victorian difference, but he could wear them and independently of each
other. Of the first this is an example--_Vesica Piscis_.
In strenuous hope I wrought,
And hope seem’d still betray’d;
Lastly I said,
“I have labour’d through the Night, nor yet
Have taken aught;
But at Thy word I will again cast forth the net!”
And, lo, I caught
(Oh, quite unlike and quite beyond my thought,)
Not the quick, shining harvest of the Sea,
For food, my wish,
But Thee!
Then, hiding even in me,
As hid was Simon’s coin within the fish,
Thou sigh’st, with joy, “Be dumb,
Or speak but of forgotten things to far-off times to come.”
And of the second, this--
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Public-domain text, read in full here on John Shaqi.
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