'Better bathe that ear of yours, and put a few drops of carbolic in the
water.' She takes the basket as she says it, and goes into the kitchen.
I hurry over this, and go into the little sitting-room. There is a tray
with a glass of milk and some oaten cakes upon the table. I am too
disturbed to sit down; I stand at the window and watch the bats flitter
in the gathering moonlight, and listen with quivering nerves for her
step--perhaps she will send for the tray, and not come after all. What a
fool I am to be disturbed by a grey-clad witch with a tantalizing mouth!
That comes of loafing about doing nothing. I mentally darn the old fool
who saved her money instead of spending it. Why the devil should I be
bothered? I don't want it anyhow. She comes in as I fume, and I forget
everything at her entrance. I push the armchair towards the table, and
she sinks quietly into it, pulling the tray nearer. She has a wedding
ring on, but somehow it never strikes me to wonder if she is married or
a widow or who she may be. I am content to watch her break her biscuits.
She has the prettiest hands, and a trick of separating her last fingers
when she takes hold of anything. They remind me of white orchids I saw
somewhere. She led me to talk; about Africa, I think. I liked to watch
her eyes glow deeply in the shadow and then catch light as she bent
forward to say something in her quick responsive way.
'Long ago when I was a girl,' she said once.
'Long ago?' I echo incredulously, 'surely not?'
'Ah, but yes, you haven't seen me in the daylight,' with a soft little
laugh. 'Do you know what the gipsies say? "Never judge a woman or a
ribbon by candle-light." They might have said moonlight equally well.'
She rises as she speaks, and I feel an overpowering wish to have her put
out her hand. But she does not, she only takes the work-basket and a
book, and says good night with an inclination of her little head.
I go over and stand next to her chair; I don't like to sit in it, but I
like to put my hand where her head leant, and fancy, if she were there,
how she would look up.
Public-domain text, read in full here on John Shaqi.
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