Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
The Romantic Bohemia was part of Parisian society, a fact of which I
have already tried to point out the implications. It might add to the
general picture to know how society judged Bohemia. Contemporary record
is scarce, not only because Bohemia itself so largely supplied the
personal element in the journalism of its time, but also because the
conception--indeed, the name--was so new. There is, however, something
to be picked up from allusions here and there which is of some service
in the definition of boundaries. Nestor Roqueplan, for instance, in his
little book, "La Vie Parisienne," defines Bohemia as comprehending "all
those in Paris who dine rarely and never go to bed." He distinguishes
sloth and debt as the salient faults in the general disorder of its
life, and he is not too appreciative of its abilities, though he admits
that there is an inner Bohemia, "intelligente et spirituelle," composed
of a certain number of young men with the makings of excellent
ministers, irreproachable officials, and daring men of business. In
conclusion he asserts the great truth that "Bohemia must be young; it
must be continually renewed. If the Bohemian were more than thirty, he
might be confused with the rogue." This is excellent testimony from a
man who, himself no real Bohemian, had extensive relations with Bohemia
as one on whom its young playwrights inflicted the reading of their
plays. Balzac is the next witness, though it is remarkable that his only
specific reference to Bohemia is in the short story, "Un Prince de la
Bohème," which tells how the young Comte de la Palfèrine, a penniless
son of a general who died after Wagram, satisfied his vanity in the
person of his mistress, Madame du Bruel. He was debarred by his
position from having a wife worthy of his aristocratic pride, but that
at least his mistress might be worthy, Madame du Bruel, an actress
married to a writer of _vaudevilles_, worries her husband into the
acquisition of riches, political power, and a peerage. At the beginning
of this story--one of Balzac's most curious--he gives a general
definition of Bohemia:
Public-domain text, read in full here on John Shaqi.
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