English literature -- 19th century -- History and criticism
Mr. Dickens goes as far out of the way for his wicked people as he does
for his good ones. Rogue Riderhood, indeed, in the present story, is
villainous with a sufficiently natural villainy; he belongs to that
quarter of society in which the author is most at his ease. But was
there ever such wickedness as that of the Lammles and Mr. Fledgeby? Not
that people have not been as mischievous as they; but was any one ever
mischievous in that singular fashion? Did a couple of elegant swindlers
ever take such particular pains to be aggressively inhuman?--for we can
find no other word for the gratuitous distortions to which they are
subjected. The word _humanity_ strikes us as strangely discordant, in
the midst of these pages; for, let us boldly declare it, there is no
humanity here.
Humanity is nearer home than the Boffins, and the Lammles, and the
Wilfers, and the Veneerings. It is in what men have in common with each
other, and not what they have in distinction. The people just named have
nothing in common with each other, except the fact that they have
nothing in common with mankind at large. What a world were this world if
the world of _Our Mutual Friend_ were an honest reflection of it! But a
community of eccentrics is impossible. Rules alone are consistent with
each other; exceptions are inconsistent. Society is maintained by
natural sense and natural feeling. We cannot conceive a society in which
these principles are not in some manner represented. Where in these
pages are the depositaries of that intelligence without which the
movement of life would cease? Who represents nature?
Accepting half of Mr. Dickens's persons as intentionally grotesque,
where are those examplars of sound humanity who should afford us the
proper measure of their companions' variations? We ought not, in justice
to the author, to seek them among his weaker--that is, his mere
conventional--characters; in John Harmon, Lizzie Hexam, or Mortimer
Lightwood; but we assuredly cannot find them among his stronger--that
is, his artificial creations.
Public-domain text, read in full here on John Shaqi.
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