Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
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Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
She lived in a little wooden house on the corner of the street huddled
in the shadow of two towering tenements. There are a few frail buildings
of this sort still left in that part of the city, half a mile east of
the Bowery and half a mile south of Tompkins Square, where the
architecture is as irregular, as crowded, and as little cared for as the
population. Amid the old private houses erected for a single family, and
now violently altered to accommodate eight or ten--amid the tall new
tenements, stark and ugly--here and there one can still find wooden
houses built before the city expanded, half a century old now, worn and
shabby and needlessly ashamed in the presence of every new edifice no
better than they. With the peak of their shingled roofs they are
pathetic survivals of a time when New York still remembered that it had
been New Amsterdam, and when it did not build its dwellings in imitation
of the polyglot loftiness of the Tower of Babel. It was in one of these
little houses with white clapboarded walls, ashen gray in the paling
moonlight, that Maggie O'Donnell lay fast asleep, when the bell in a
far-off steeple tolled three in the morning of the day that was to be
the Fourth of July.
She was asleep in the larger of the two little rooms over the saloon. In
that part of the city there are saloons on every corner almost, and
sometimes two and three in a block. The signs over the doors of most of
these saloons and over the doors of the groceries and of the bakeries
and of the other shops bear strangely foreign names. The German quarter
of the city is not far off, nor is the Italian, nor the Chinese; but
hereabouts the houses are packed with Poles chiefly, and chiefly
Jews--industrious, docile, and saving. Not until midnight had the whir
of the sewing-machines ceased in the tenements which occupied the three
other corners. The sign over the door of the saloon above which Maggie
lay fast asleep bore an Irish name, the name of her husband, Terence
O'Donnell. But the modest boards which displayed his name were overawed
by the huge signs that flanked them, filling a goodly share of the wall
on either street and proclaiming the "McGown's Pass Brewery, Kelly &
Company."
Public-domain text, read in full here on John Shaqi.
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