Frontier and pioneer life -- Indiana -- Fiction; Historical fiction
"God Al--" started to ooze from his stiff lips, but the words broke
off sharply as the woman stopped a few steps away and regarded
him steadily, silently, unsmilingly. He stood there like a statue
staring into the dark, brilliant eyes, sunken deep under the straight
black eyebrows. Even in the uncertain light from the curtained
windows he could see that her face was absolutely colourless,--the
pallor of death seemed to have been laid upon it. Swiftly she lifted
a hand to her throat, her eyes closed for a second and then flew
wide open again, now filled with an expression of utter bewilderment.
"Is it--is it you, Robert? Is it really you, or am I--" she murmured,
scarcely above a whisper. Once more she closed her eyes, tightly;
as if to shut out the vision of a ghost,--an unreal thing that
would not be there when she looked again.
The sound of her voice released him from the brief spell of
stupefaction.
"I know you. I remember you. You are Rachel Carter," he said
hoarsely.
She was staring at him as if fascinated. Her lips moved, but no
sound issued from them.
He hesitated for an instant and then turned to pick up his hat and
gloves. "I came to see your daughter, madame,--as well you know.
Permit me to take my departure."
"You are so like your--" she began with an effort, her voice deep
and low with emotion. "So like him I--I was frightened. I thought
he had--" She broke off abruptly, lowered her head in an attempt
to hide from him the trembling lips and chin, and to regain, if
possible, the composure that had been so desperately shaken. "Wait!"
she cried, stridently. "Wait! Do not go away. Give me time to--to--"
"There is no need for us to prolong--" he began in a harsh voice.
"I will not keep you long," she interrupted, every trace of emotion
vanishing like a shadow that has passed. She was facing him now,
her head erect, her voice steady. Her dark, cavernous eyes were
upon him; he experienced an odd, indescribable sensation,--as of
shrinking,--and without being fully aware of what he was doing,
replaced his hat upon the table, an act which signified involuntary
surrender on his part.
"Where is Viola?" he demanded sternly. "She left word for me to
come here. Where is she?"
"She is not here," said the woman.
He started. "You don't mean she has--has gone away with--"
"No. She has gone over to spend the afternoon with Effie Wardlow.
I will be frank with you. This is not the time for misunderstanding.
She asked Isaac Stain to give you that message at my request,--or
command, if you want the truth. I sent her away because what I
have to say to you must be said in private. There is no one in the
house besides ourselves. Will you do me the favour to be seated?
Very well; we will stand."
She turned away to close the hall door. Then she walked to one
of the windows and, drawing the curtain aside, swept the yard and
adjacent roadway with a long, searching look.
Public-domain text, read in full here on John Shaqi.
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