Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
A patio stable with its mangy mules, a gigantic oven where bread in
memorial Moorish shapes is thrust at the end of a pole ... such are the
words of the streets. Beneath the language which the people speak, this
rhythmic word of the streets.
Al-Baicín has a soul. What Al-Baicín lacks is body! Groveling life
within an ancient molder of walls, patios, wine shops black as
warts--this life so halted, so disgraced, so blind is life that lacks a
body. And there, polished clean of the clamors of the spirit, shines the
body on the opposite hill--soulless Al-Hambra.
_d._ _A Goddess and Don Juan_
The air is spiced with murmur, throat call, peal, with stirring of feet,
clink of earth-jar; it is a weave through which the horse’s hoof, flick
of whip, _ar-r-ra_ and _shuh_ of driver make a swathe. Singing cry of a
girl, crying song of a girl cascade to church bells.... Silence.... A
little square (Castilians say _patio_, Andalusians say _compás_) holds
an alicatado fountain: thin water within a sapphire bowl wavers,
splinters, fades like stars at a dawn. All about, the wings of a vast
Church. Fortress-like they rise, rise in terrace, in forest of
sculpture, in buttresses that sweep out of sight. And straight above, a
tower. It is the old prayer tower of a mosque--_al-minar_: the muedzin
post which the Christians call Giralda.
In the compas, it is cool; high overhead within the well of the walls,
the heat of afternoon is writhing. Heat cannot pierce the eight foot
walls of the tower. A pavement, so gradual and wide that a coach could
follow it, climbs to the peak. There are windows to tell how you climb.
The Cathedral, resonant with statues; the stucco palace of the Bishop
beside a compas sleepy and cool like a virgin at dawn; a slant of street
with houses dodging sun.... Cathedral roof, a groined and columned
symphony with transepts trilling in overtones away; a knot of buttresses
that scale a higher wall you could not guess was there; a grove of
turrets against the town, green trees; a line of river; town itself keen
in the gyrant air ... guitar-like music under the voice of the sun. A
scarf of hill, treeless and red. A court within the sapphire day like
rubies and emeralds--the _patio de los naranjos_--a frame of creamy
walls holding the rows of orange trees. The top of Giralda.
Seville: No, this body is Isbilíya. Town of the Visigoths, the Yemen
Arabs and the Copts, alcázar of the Moorish Yusuf who built Giralda,
town whence Ferdinand of Castile with the aid of his friend the Moslem
of Granada drove countless Moslems in 1248, bringing in other men who
said Christ, not Allah--said it in the same Mosque rechristened, in the
same town, under the same sun, from the same Giralda.
Public-domain text, read in full here on John Shaqi.
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