Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
But they are still the atom. They live in the crannies of mountains, in
the steep stretches of valleys torn by torrents. The sky above them is
shut in by rock. Northward the Pyrenees stand ordered and columned upon
France. But in their southward march they become a delirium of broken
walls. They symbolize the cacophony of Spain. The little villages perch
on a precipitous bench of mountain or are lost within the immense sweep
of a moor. They too are stone. The houses are gathered fragments of the
heights. Often there is no wooden door. Windows are tiny apertures of
space. The houses huddle so close that they appear to be a single rock,
whence rise the blind walls of the church--fortress rather than
church--like an irregular edge. Another such obtrusion seems the entire
village upon the high face of the mountains. If it is low in a valley,
still the monotone is there. For the moor is gray and mournful like a
stone; and the furze of summer makes it but faintly fluid as if from the
blaze of the sun. The rushing river sends splinters of gray fume over
the teeth of its rapids. Stone....
From these stone towns come the creatures who have built them. Small
weazened men they are, with heads like nuts and eyes like iron. They
have no sensuality and no art. Indeed, they too are fragments of the
fragmented mountains: atoms of rock who have detached themselves and
learned to walk about. They are silent, impenetrable. They have the
mineral virtues. They are strong, they are steadfast, they are
inexpugnably honest, they are brave. To dislodge them from the inertia
of their world is as hard as to lodge an idea in their heads. And as
they walk about, their slow and clumsy gait perfects the sense that they
are walking stones: that this human venture is a masquerade: that
presently they will cast their uncouth manhood and go back into the
eternal mountain sleep.
They wear black leathern breeches slashed at the side and ending well
above the knee. In the split at the side and below, the drawers bulge
white or gray. The calf is enclosed in heavy leggings of white wool,
doubly lined with buttons. The feet are wrapped in a cloth and shod in a
sole of wood or wool that is thonged with leather, and bound about the
ankle. About the waist is a huge sash--_faja_--coming down thick on the
buttocks and serving as the pocket. The jacket is short. The aboriginal
Aragonese wears no hat: a handkerchief slanted athwart his head absorbs
the sweat of his labor and leaves the cropped crown free. When he wears
a hat, it is an adaptation either of the _boina_ of the Basque or a
lumpish variant of the pie-shaped hat of Castile. His invention has not
gone so high as his head.
Public-domain text, read in full here on John Shaqi.
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