Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present timeHutchins, Frank W.
History
Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present time
Hutchins, Frank W.
Historic buildings -- Virginia; Houseboats; James River (Va.)
We rowed ashore to a yellow crescent of sandy beach shaded by cypresses
where a cart-path led off through the woods. We called it the woods-way
to Brandon. It followed the shore of the creek a little way, and
through the leafy screen we caught glimpses of Gadabout out in the
stream, now with a cone-tipped branch of pine and again with a
star-leaved limb of sweet gum for a foreground setting.
Farther along were many dogwood trees; and in the springtime these
woods must be dotted with those white blossom-tents that so charmed the
first settlers on their way up the river. Here, for the first time, we
came upon the trailing cedar spreading its feathery carpet under the
trees. Ferns lifted their fronds in thick, wavy clusters. The freshness
from a night storm was upon every growing thing; a clearing northwest
wind was in the tree-tops; and the air was filled with the spicy
sweetness of the woodland.
The way led out of the shadow of the trees into the open, and we came
upon "the quarters"--long, low buildings with patches of corn and sweet
potatoes about them. Two coloured women were digging in the gardens and
another was busy over an out-of-door washtub. A group of picaninnies
played about a steaming kettle swung upon a cross-stick above an
open-air fire. One fat brown baby sat in a doorway poking a pudgy thumb
into a saucer of food and keeping very watchful eyes on the strangers.
Beyond the quarters were barns and some small houses.
[Illustration: A SIDE PATH TO THE MANOR-HOUSE.]
[Illustration: THE WOODS-WAY TO BRANDON.]
And here was our first reminder of a distressing chapter in the story
of Brandon. We knew that but few of these buildings were old-time
outbuildings of the estate. The Civil War bore hard upon this as upon
other homes along the James. It left little upon the plantation except
the old manor-house itself, and that injured and defaced.
On ahead, we could see the great grove in which the manor-house stands,
looming up in the midst of the cleared land like a small forest
reservation. Our route this time brought us to the homestead from the
landward side through an open park, and we got a better view of the
building than the dense foliage on the other side had permitted. The
house is of the long colonial type, consisting of a square central
building, two large flanking wings, and two connecting corridors. It is
built of brick laid in Flemish bond, showing a broken pattern of glazed
headers. Each front has its wide central porch and double-door
entranceway.
The emblem of hospitality that tops the central roof is truly
characteristic of the spirit within. Old colonial worthies, foreign
dignitaries, presidents and their cabinets, house-parties of "Virginia
cousins," and "strangers within the gates"--all have known the open
hospitality of Brandon. And the two latest strangers now moved on
assured of kindly welcome at the doorway.
Public-domain text, read in full here on John Shaqi.
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