Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
“So I did, and I’ll draw you some more. Been bathing? That’s a risky
performance. You never know what lives in the sea, nor what lives on
the land for that matter. Not that I heed them. I stick to work and
whisky. God! I’ve learned to paint since I saw you, and drink too for
that matter. I live in the quarry-house, you know, and it’s a powerful
thirsty place. Come and have a look at my things if you’re passing.
Staying with your aunt, are you? I could do a wonderful portrait of
her. Interesting face; she knows a lot. People who live at Polearn get
to know a lot, though I don’t take much stock in that sort of knowledge
myself.”
I do not know when I have been at once so repelled and interested.
Behind the mere grossness of his face there lurked something which,
while it appalled, yet fascinated me. His thick lisping speech had the
same quality. And his paintings, what would they be like?...
“I was just going home,” I said. “I’ll gladly come in, if you’ll allow
me.”
He took me through the untended and overgrown garden into the house
which I had never yet entered. A great grey cat was sunning itself in
the window, and an old woman was laying lunch in a corner of the cool
hall into which the door opened. It was built of stone, and the carved
mouldings let into the walls, the fragments of gargoyles and sculptured
images, bore testimony to the truth of its having been built out of
the demolished church. In one corner was an oblong and carved wooden
table littered with a painter’s apparatus and stacks of canvases leaned
against the walls.
He jerked his thumb towards a head of an angel that was built into the
mantelpiece and giggled.
“Quite a sanctified air,” he said, “so we tone it down for the
purposes of ordinary life by a different sort of art. Have a drink? No?
Well, turn over some of my pictures while I put myself to rights.”
He was justified in his own estimate of his skill: he could paint (and
apparently he could paint anything), but never have I seen pictures
so inexplicably hellish. There were exquisite studies of trees, and
you knew that something lurked in the flickering shadows. There was a
drawing of his cat sunning itself in the window, even as I had just now
seen it, and yet it was no cat but some beast of awful malignity. There
was a boy stretched naked on the sands, not human, but some evil thing
which had come out of the sea. Above all there were pictures of his
garden overgrown and jungle-like, and you knew that in the bushes were
presences ready to spring out on you....
Public-domain text, read in full here on John Shaqi.
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