Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First CollectedJameson, Mrs. (Anna)
History
Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First Collected
Jameson, Mrs. (Anna)
Germany -- Description and travel
I saw in Stieler's atelier two portraits for this collection: one, a
woman of rank--a dark beauty; the other, a servant girl here, with a
head like one of Raffaelle's angels, almost divine; she is painted
in the little filagree silver cap, the embroidered boddice, and silk
handkerchief crossed over the bosom, the costume of the women of Munich,
to which the king is extremely partial. I am assured that this young
girl, who is not more than seventeen, is as remarkable for her piety,
simplicity, and spotless reputation, as for her singular beauty. I have
seen her, and the picture merely does her justice. Several other women
of the _bourgeoisie_ have been pointed out to me as included in the
king's collection. One of these, the daughter, I believe, of an
herb-woman, is certainly one of the most exquisite creatures I ever
beheld. On the whole, I should say, that the lower orders of the people
of Munich are the handsomest race I have seen in Germany.
Stieler is the court and fashionable portrait painter here--the Sir
Thomas Lawrence of Munich--that is, in the estimation of the Germans.
He is an accomplished man, with amiable manners, and a talent for
rising in the world; or, as I heard some one call it, the organ of
_getting-oniveness_. For the elaborate finish of his portraits, for
expertness and delicacy of hand, for resemblance and exquisite drawing,
I suppose he has few equals; but he has also, in perfection, what I
consider the faulty peculiarities of the German school. Stieler's
artificial roses are _too_ natural: his caps, and embroidered scarfs,
and jewelled bracelets, are more real than the things themselves--or
seem so; for certainly I never gave to the real objects the attention
and the admiration they challenge in his pictures. The famous bunch of
grapes, which tempted the birds to peck, could be nothing compared to
the felt of Prince Charles's hat in Stieler's portrait: it actually
invites the hat-brush. Strange perversion of power in the artist!
stranger perversion of taste in those who admire it!--_Ma pazienza!_
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account