Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Luigi could not see the deduction. He was incapable of guessing that it
might apply forcibly to Vittoria, who had undertaken a grave, perilous,
and imminent work. Nothing but the spontaneous desire to elude the
pursuit of a questioner had at first instigated his baffling of Barto
Rizzo, until, fearing the dark square man himself, he feared him dimly
for Vittoria's sake; he could not have said why. She was a good patriot:
wherefore the reason for wishing to know more of her? Barto Rizzo had
compelled him at last to furnish a narrative of the events of that day
on the Motterone, and, finding himself at sea, Luigi struck out boldly
and swam as well as he could. Barto disentangled one succinct thread of
incidents: Vittoria had been commissioned by the Chief to sing on the
night of the Fifteenth; she had subsequently, without speaking to any of
the English party, or revealing her features “keeping them beautifully
hidden,” Luigi said, with unaccountable enthusiasm--written a warning to
them that they were to avoid Milan. The paper on which the warning had
been written was found by the English when he was the only Italian on
the height, lying thereto observe and note things in the service of
Barto Rizzo. The writing was English, but when one of the English
ladies--“who wore her hair like a planed shred of wood; like a torn
vine; like a kite with two tails; like Luxury at the Banquet, ready
to tumble over marble shoulders” (an illustration drawn probably from
Luigi's study of some allegorical picture,--he was at a loss to describe
the foreign female head-dress)--when this lady had read the writing,
she exclaimed that it was the hand of “her Emilia!” and soon after she
addressed Luigi in English, then in French, then in “barricade Italian”
(by which phrase Luigi meant that the Italian words were there, but
did not present their proper smooth footing for his understanding), and
strove to obtain information from him concerning the signorina, and
also concerning the chances that Milan would be an agitated city. Luigi
assured her that Milan was the peacefullest of cities--a pure babe. He
admitted his acquaintance with the Signorina Vittoria Campa, and denied
her being “any longer” the Emilia Alessandra Belloni of the English
lady. The latter had partly retained him in her service, having
given him directions to call at her hotel in Milan, and help her to
communicate with her old friend. “I present myself to her to-morrow,
Friday,” said Luigi.
“That's to-day,” said Barto.
Luigi clapped his hand to his cheek, crying wofully, “You've drawn,
beastly gaoler! a night out of my life like an old jaw-tooth.”
“There's day two or three fathoms above us,” said Barto; “and hot coffee
is coming down.”
“I believe I've been stewing in a pot while the moon looked so cool.”
Luigi groaned, and touched up along the sleeves of his arms: that which
he fancied he instantaneously felt.
Public-domain text, read in full here on John Shaqi.
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