VOLUBLE LADY _in the Shilling Stalls_ (_telling her Male Companion an
interminable story with an evasive point_). No, but you 'ear what I'm
going to _tell_ you, because I'm coming to it presently. I can't
remember his name at this moment--something like Budkin, but it wasn't
that, somewhere near Bond Street, he is, or a street off there; a
Scotchman, but _that_ doesn't matter! (_Here she breaks off to hum the
Chorus of "Good Ole Mother-in-Law!" which is being sung on the stage._)
Well, let me see--what was I telling you? Wait a minute, excuse _me_,
oh, yes,--_well_, there was this picture,--mind you, it's a lovely
_painting_, but the frame simply nothing,--not that I go by frames,
myself, o' course not, but I fetched it down to show him--oh, I know
what you'll say, but he must know _something_ about such things; he
knew my uncle, and I can tell you what he _is_--he's a florist, and
married nineteen years, and his wife's forty--years older than me, but
I've scarcely spoke to _her_, and no children, so I fetched it to show
him, and as soon as he sets eyes on it, he says----(FEMALE
"CHARACTER-COMIC" _on Stage_, _lugubriously_. "Ritolderiddle, ol de_ray_
ritolderiddle, olde-_ri_-_ido_!") I can't tell you _how_ old it is, but
'undreds of years, and Chinese, I shouldn't wonder, but we can't trace
its 'istry--that's what _he_ said, and if _he_ don't know, _nobody_
does, for it stands to reason he must be a judge, though nothing to
me,--when I say nothing, I mean all I know of him is that he used to
be----(TENOR VOCALIST ON STAGE. "My Sweetheart when a Bo-oy!") I always
like that song, don't you? Well, and this is what I was _wanting_ to
tell you, _she_ got to know what I'd done--how is more'n _I_ can tell
you, but she did, and she come straight in to where I was, and I see in
a minute she'd been drinking, for drink she does, from morning to night,
but I don't mind _that_, and her bonnet all on the back of her head, and
her voice that 'usky, she----(TENOR. "She sang a Song of Home Sweet
Home--a song that reached my heart!") And I couldn't be expected to put
up with _that_, you know, but I haven't 'alf told you yet--_well_, &c.,
&c.
IN THE RESERVED STALLS.
FIRST PROFESSIONAL LADY, "_resting_," _to_ SECOND DITTO (_as_ MISS
FLORRIE FOLJAMBE _appears on Stage_). New dresses to-night.
SECOND DITTO. Yes. (_Inspects_ MISS F.'S _costume_.) Something wrong
with that boy's dress in front, though, cut too low. Is that silver
bullion it's trimmed with? That silver stuff they put on my
pantomime-dress has turned quite yellow!
FIRST DITTO. It will sometimes. Did you know any of the critics when you
were down at Slagtown for the Panto?
SECOND DITTO. I knew the _Grimeshire Mercury_, and he said most awfully
rude things about me in his paper. I was rather rude to him at
rehearsal, but we made it up afterwards. You know Lily's married, dear?
FIRST DITTO. What--Lily? You don't mean it!
Public-domain text, read in full here on John Shaqi.
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