Wager of Battle: A Tale of Saxon Slavery in Sherwood ForestHerbert, Henry William
History
Wager of Battle: A Tale of Saxon Slavery in Sherwood Forest
Herbert, Henry William
Anglo-Saxons -- Fiction; Great Britain -- History -- Norman period, 1066-1154 -- Fiction; Sherwood Forest (England) -- Fiction
The fifth story, at least a hundred feet in air above the inner court,
and nearly thrice that elevation above the base of the scarped mount
on which the castle stood, contained the Lady's bower; and its whole
area of ninety feet by sixty was divided, in the first instance,
laterally by three partitions, into three apartments, each sixty feet
in length by thirty wide. Of these, however, the first and last were
subdivided equally in two squares of thirty feet. The whole of the
bower, thus, contained a handsome ante-chamber, opening from the great
staircase, with a large room for the waiting-women to the right,
communicating with the turret chamber corresponding to the stairway.
Beyond the vestibule, by which access was had to it, lay the grand
ladies' hall, furnished with all the superabundance of splendor and
magnificence, and all the lack of real convenience, which was the
characteristic of the time; divans, and deep settles, and ponderous
arm-chairs covered with gold and velvet; embroideries and emblazoned
foot-cloths on the floor; mirrors of polished steel, emulating
Venetian crystals, on the walls; mighty candelabra of silver gilt;
tables of many kinds, some made for the convenience of long-forgotten
games, some covered with cups and vessels of gold, silver, and
richly-colored glass, and one or two, smaller, and set away in quiet
nooks, with easy seats beside them, showing the feminine character of
the occupants, by a lute, a gittern, and two or three other musical
implements long since fallen into disuse; pages of music written in
the old musical notation of the age; some splendidly-bound and
illuminated missals and romances, in priceless manuscript, each
actually worth its weight in gold; silks and embroideries; a
working-stand, with a gorgeous surcoat of arms half finished, the
needle sticking in the superb material where the fairy fingers had
left it, when last called from their gentle task; and great vases full
of the finest flowers of the season.
Such was the aspect of the room, beheld by the declining rays of the
sun, which had already sunk so low that his stray beams, instead of
falling downward through the gorgeous hues of the tinted-windows,
streamed upward into that lofty place, playing on the richly-carved
and gilded ceilings, catching here on a mirror, there on a vase of
gold or silver, and sending hundreds of burning specks of light
dancing through the motley haze of gold and purple, which formed the
atmosphere of that almost royal bower.
Public-domain text, read in full here on John Shaqi.
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