4. Portrait of S. Filippo Neri, as a boy: _Barocci_. 5. Portrait of Innocent X.; Gio. Battista Pamfili (1644--55): _Velasquez_.* 6. Entombment: _John Emelingk_.* Here, also, is the bust of the late beloved Princess Doria (Lady Mary Talbot), which has always been veiled in crape since her death. The _4th Gallery_ is decorated with mirrors, and with statues of no especial merit. "In the whole immense range of rooms of the Palazzo Doria, I saw but a single fire-place, and that so deep in the wall that no amount of blaze would raise the atmosphere of the room ten degrees. If the builder of the palace, or any of his successors, have committed crimes worthy of Tophet, it would be a still worse punishment to him to wander perpetually through this suite of rooms, on the cold floors of polished brick tiles, or marble, or mosaic, growing a little chiller and chiller through every moment of eternity--or at least, till the palace crumbles down upon him."--_Hawthorne, Notes on Italy._ Opposite the Palazzo Doria is the _Palazzo Salviati_. The next two streets on the left lead into the long narrow square called _Piazza Santi Apostoli_, containing several handsome palaces. That on the right is the _Palazzo Odescalchi_, built by Bernini, in 1660, for Cardinal Fabio Chigi, to whose family it formerly belonged. It has some fine painted and carved wooden ceilings. This palace is supposed to be the scene of the latest miracle of the Roman Catholic Church. The present Princess Odescalchi had long been bedridden, and was apparently dying of a hopeless disease, when, while her family were watching what they considered her last moments, the pope (Pius IX.) sent, by the hands of a nun, a little loaf (panetello), which he desired her to swallow. With terrible effort, the sick woman obeyed, and was immediately healed, and on the following day the astonished Romans saw her go in person to the pope, at the Vatican, to return thanks for her restoration! The building at the end of the square is the _Palazzo Valentini_, which once contained a collection of antiquities. Near this, on the left, but separated from the piazza by a courtyard, is the vast _Palazzo Colonna_, begun, in the fifteenth century, by Martin V., and continued at various later periods. Julius II. at one time made it his residence, and also Cardinal (afterwards San Carlo) Borromeo. Part of it is now the residence of the French ambassadors. The palace is built very near the site of the ancient fortress of the Colonna family--so celebrated in times of mediæval warfare with the Orsini--of which one lofty tower still remains, in a street leading up to the Quirinal.