Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Pater, Walter, 1839-1894
And then, too, we see the child’s love for the outward forms of
religion; “the comely order of the sanctuary, the secrets of its white
linen, and holy vessels, and fonts of pure water; and its hieratic
purity and simplicity became the type of something he desired always to
have about him in actual life. He pored over the pictures in religious
books, and knew by heart the exact mode in which the wrestling angel
grasped Jacob, how Jacob looked in his mysterious sleep, how the bells
and pomegranates were attached to the hem of Aaron’s vestment, sounding
sweetly as he glided over the turf of the holy place.”
Over this quiet and untroubled mood the shadow creeps. The boy begins
to feel the touch of sorrow, of loss, of bereavement—the shadow of
death. A cry heard on the stairs tells how the news of a death comes
home to an aged heart; the little household pet, the Angora cat,
sickens and dies, the tiny soul flickering away from the body; the
young starling is caught and caged, but the boy cannot resist the
cries of the mother-bird, the “sharp bound of the prisoner up to her
nestlings,” and lets the sorrowing creature go.
One realises with a painful intensity with what a shock of bewildered
emotion Pater must have realised as a child the first lessons of
mortality, “the contact,” as he wrote long afterwards, “of childhood
with the great and inevitable sorrows of life, into which children can
enter with depth, with dignity, and sometimes with a kind of simple,
pathetic greatness, to the discipline of the heart.”
Yet in this region there falls a certain vein of what may be called
_macabre_, which might be thought morbid were it not obviously so
natural—a dwelling on the accidents of mortality, the gradations of
decay.
“He would think of Julian, fallen into incurable sickness, as
spoiled in the sweet blossom of his skin like pale amber, and
his honey-like hair; of Cecil, early dead, as cut off from the
lilies, from golden summer days, from women’s voices; and then
what comforted him a little was the thought of the turning of the
child’s flesh to violets in the turf above him.”
Public-domain text, read in full here on John Shaqi.
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