Colman was succeeded in his management by his son, whose first season
commenced in 1790, and who, fifteen years later, sold half his share to
Messrs. Morris and Winston. Later, the well-known Thomas Dibdin took
over the concern, and it was during his management that, on August
15th, 1805, occurred a great riot here, organised by members of the
sartorial trade, who took exception to the performance of a piece
entitled “The Tailors, a Tragedy for Warm Weather,” as reflecting on
their calling. To such a height, indeed, did matters come that special
constables and a company of the Life Guards were requisitioned to
assist the regular Bow Street officers.
Some years later--to be precise, in 1820--the present play-house,
whose historian is the well-known actor-manager, Mr. Cyril Maude--was
erected, from the designs of Nash, at a cost of £18,000; the earlier
theatre remained open until the larger house was finished, when it
closed, on October 14th, 1820, with a performance of “King Lear.”
I may remind the reader that such great exponents of the Thespian art,
as Mrs. Abington, Miss Farren, Edwin, Elliston, Bannister, Henderson,
and “Gentleman Lewis” have all acted at the original house; while the
great names of Macready, Webster, and Buckstone, besides Sothern, the
Bancrofts, Mr. Tree, and Mr. Cyril Maude in our own days, are among
those closely associated with the present theatre.
It was of the Haymarket Theatre that the story is told that that
inveterate punster H. J. Byron was once asked (I believe by Lady--then
Mrs.--Bancroft) to give a motto to be placed over the pay-office, when
he immediately suggested “So much for Booking ’em” as an appropriate
heading!
[Sidenote: SUFFOLK STREET.]
Suffolk Street, running partly behind the play-house, is one of the
older streets in this neighbourhood, having been formed in 1664, on the
site once occupied by the town house of the Earls of Suffolk. Although
the present street is relatively modern, its lines follow those of the
older one. At its Pall Mall eastern corner stands the United University
Club in its stately rebuilt magnificence, but the street is connected
more intimately with Art than Letters, being the home of the Society
of British Artists. Once it echoed to the tread of Swift, when he came
to visit Vanessa, who for a time lodged here with her mother. Adam
Smith was a former resident, as was Moll Davis, for whom the King
furnished a house here, before her apotheosis in St. James’s Square
hard by, as Pepys tells us; and when the Italian Corticelli had his
town house here, frequented, in the days of George I., for raffles and
assignations, the little thoroughfare must have presented a gay and
gallant sight, with which its present-day solemn respectability cannot
have much in common.
Public-domain text, read in full here on John Shaqi.
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