War and the Future: Italy, France and Britain at WarWells, H. G. (Herbert George)
History
War and the Future: Italy, France and Britain at War
Wells, H. G. (Herbert George)
World War, 1914-1918
Also it includes the art of making attractive models of guns, camps,
trenches and the like that are not bona-fide guns, camps, or trenches at
all, so that the aeroplane bomb-dropper and the aeroplane observer may
waste his time and energies and the enemy gunfire be misdirected.
In Italy I saw dummy guns so made as to deceive the very elect at a
distance of a few thousand feet. The camouflage of concealment aims
either at invisibility or imitation; I have seen a supply train look
like a row of cottages, its smoke-stack a chimney, with the tops of sham
palings running along the back of the engine and creepers painted up
its sides. But that was a flight of the imagination; the commonest
camouflage is merely to conceal. Trees are brought up and planted
near the object to be hidden, it is painted in the same tones as its
background, it is covered with an awning painted to look like grass or
earth. I suppose it is only a matter of development before a dummy cow
or so is put up to chew the cud on the awning.
But camouflage or no camouflage, the bulk of both the French and British
forces in the new won ground of the great offensive lay necessarily in
the open. Only the big guns and the advanced Red Cross stations had got
into pits and subterranean hiding places. The advance has been too rapid
and continuous for the armies to make much of a toilette as they halted,
and the destruction and the desolation of the country won afforded few
facilities for easy concealment. Tents, transport, munitions, these all
indicated an army on the march--at the rate of half a mile in a week or
so, to Germany. If the wet and mud of November and December have for a
time delayed that advance, the force behind has but accumulated for the
resumption of the thrust.
3
Public-domain text, read in full here on John Shaqi.
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