Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
The Schoolmen of the Middle Ages used to discuss the question how it
was that a fish could move through the water. They said the fish could
not move until the water got out of the way, and the water could not
get out of the way until the fish moved. This and similar perplexities
were not removed until the true theory of the motion of a solid through
a liquid had been developed.
Briefly it may be said that there are three causes, and only three,
for the resistance which we feel and have to overcome when we
attempt to drag a boat or ship through the water. These are: First,
_skin friction_, due to the friction between the ship-surface and
the water; secondly, _eddy-resistance_, due to the energy lost or
taken up in making water eddies; and thirdly, _wave-resistance_, due
to energy taken up in making surface-waves. The skin friction and
the eddy-resistance both arise from the fact that water is not a
perfect fluid. The wave-resistance arises, as we shall show, from the
unavoidable formation of waves by the motion of the boat through the
water.
In the case of a wholly submerged body, like a fish, the only
resistance it has to overcome is due to the first two causes. The
fish, progressing through the water wholly under the surface, makes no
waves, but the water adheres to its skin, and there is friction between
them as he moves. Also he creates eddies in the water, which require
energy to produce them, and whenever mechanical work has to be done, as
energy drawn off from a moving body, this implies the existence of a
resistance to its motion which has to be overcome.
Accordingly Nature, economical on all occasions in energy expenditure,
has fashioned the fish so as to reduce the power it has to expend
in moving through water as much as possible. The fish has a smooth
slippery skin. (We say “as slippery as an eel.”) It is not covered
either with fur or feathers, but with shiny scales, so as to reduce to
a minimum the skin friction. The fish also is regular and smooth in
outline. It has no long ears, square shoulders, or projecting limbs or
organs, which by giving it an irregular outline, would tend to produce
eddies in the water as it moves along. Hence, when we wish to design a
body to move quickly under the water, we must imitate in these respects
the structure of a fish. Accordingly, a Whitehead torpedo, that deadly
instrument employed in naval warfare, is made smooth and fish-shaped,
and a submarine boat is made cigar-shaped and as smooth as possible,
for the same reason.
Public-domain text, read in full here on John Shaqi.
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