Is there anything which, without great violence to language, may be called a school of the woods? In the sense in which a playground is a school--a playground without rules or methods or a director--there is a school of the woods. It is an unkept, an unconscious school or gymnasium, and is entirely instinctive. In play the young of all animals, no doubt, get a certain amount of training and disciplining that helps fit them for their future careers; but this school is not presided over or directed by parents, though they sometimes take part in it. It is spontaneous and haphazard, without rule or system; but is, in every case, along the line of the future struggle for life of the particular bird or animal. A young marsh hawk which we reared used to play at striking leaves or bits of bark with its talons; kittens play with a ball, or a cob, or a stick, as if it were a mouse, dogs race and wrestle with one another as in the chase; ducks dive and sport in the water; doves circle and dive in the air as if escaping from a hawk; birds pursue and dodge one another in the same way; bears wrestle and box; chickens have mimic battles; colts run and leap; fawns probably do the same thing; squirrels play something like a game of tag in the trees; lambs butt one another and skip about the rocks; and so on. In fact, nearly all play, including much of that of man, takes the form of mock battle, and is to that extent an education for the future. Among the carnivora it takes also the form of the chase. Its spring and motive are, of course, pleasure, and not education; and herein again is revealed the cunning of nature--the power that conceals purposes of its own in our most thoughtless acts. The cat and the kitten play with the live mouse, not to indulge the sense of cruelty, as some have supposed, but to indulge in the pleasure of the chase and unconsciously to practice the feat of capture. The cat rarely plays with a live bird, because the recapture would be more difficult, and might fail. What fisherman would not like to take his big fish over and over again, if he could be sure of doing it, not from cruelty, but for the pleasure of practicing his art? For further light on the subject of the significance of the play of animals, I refer the reader to the work of Professor Karl Groos called "The Play of Animals."