Love stories, American; West (U.S.) -- Social life and customs -- Fiction; Western stories
"I didn't say you couldn't, man! But _I_ want a hand in this thing.
Don't be so turrible keen t' snap a feller up," said Hartley, turning on
him. "What the thunder is the matter of you anyway? I like the girl, and
she's been good to us all round; she tended you like an angel----"
"There, there! That's enough o' that," put in Albert hastily. "F'r God's
sake don't whang away on that string forever, as if I didn't know it!"
Hartley stared at him as he turned away.
"Well, by jinks! What _is_ the matter o' you?"
He was too busy to dwell upon it much, but concluded his partner was
homesick.
Albert was beginning to have a vague under-consciousness of his real
feeling toward the girl, but he fought off the acknowledgment of it as
long as possible. His mind moved in a circle, coming back to the one
point ceaselessly--a dreary prospect, in which the slender girl-figure
had no place--and each time the prospect grew more intolerably blank,
and the pain in his heart more acute and throbbing.
When he faced her that night, after they had returned from a final
skating party down on the river, he was as far from a solution as ever.
He had avoided all reference to their separation, and now he stood as a
man might at the parting of two paths, saying: "I will not choose; I can
not choose. I will wait for some sign, some chance thing, to direct me."
They stood opposite each other, each feeling that there was more to be
said; the girl tender, her eyes cast down, holding her hands to the
fire; he shivering, but not with cold. He had a vague knowledge of the
vast importance of the moment, and he hesitated to speak.
"It's almost spring again, isn't it? And you've been here--" she paused
and looked up with a daring smile--"seems as if you'd been here always."
It was about half past eight. Mrs. Welsh was setting her bread in the
kitchen; they could hear her moving about. Hartley was downtown
finishing up his business.
Albert's throat grew dry and his limbs trembled. His pause was ominous;
the girl's smile died away as he took a seat without looking at her.
"Well, Maud, I suppose--you know--we're going away to-morrow."
"Oh, must you? But you'll come back?"
"I don't expect to--I don't see how."
"Oh, don't say that!" cried the girl, her face as white as silver, her
clasped hands straining.
"I must--I must!" he muttered, not looking at her, not daring to see her
face.
"Oh, what can I do--_we_ do, without you! I can't bear it!"
She stopped and sank back into a chair, her breath coming heavily from
her twitching lips, the unnoticed tears falling from her staring,
pitiful, wild, appealing eyes, her hands nervously twisting her gloves.
There was a long silence. Each was undergoing a self-revelation; each
was trying to face a future without the other.
"I must go!" he repeated aimlessly, mechanically.
Public-domain text, read in full here on John Shaqi.
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