Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
fair prisoner was set free; like Aphrodite, born without a pang, in the
enfranchisement of the sea, and landed on the blooming shore of Paphos,
redolent of spontaneous charms.
Homer, and the other poets, as they were the fountains of all other
elements of culture, nourished also the plastic sense in the common
mind. From the tragic writers, especially, emanated a world of
sculpture, so that nearly all the great spirits generated in the
regions of fable, were happily embodied in substantial art. Hipparchus,
a few years before the birth of Phidias, formed the first public
library at Athens, and placed therein the complete works of Homer,
Hesiod, Sappho, Anacreon, and Simonides. The public games were not less
favorable in their influence on plastic art. They were great artistic
congresses, wherein each department was exhibited for the special
benefit of itself, and in regular succession; just like various pieces
of music at a modern concert, without discord between them. Not only in
the popular poetry, but in the public manners as well, was manifested
that refined grace and equanimity between excessive freedom and coarse
formality, which was embodied in sculpture as its highest form. The
second desire of Simonides, was, that he might possess a handsome
figure, and the gymnastic exercises customary in the healthful serenity
of his native land, did much to realize the wish. The most eminent men
in their youth, sought renown in the development of natural qualities,
and thereby laid a substantial basis for the magnificence of acquired
accomplishments. Each successful competitor was honored with a statue
of the highest order and most perfect resemblance. Hieratic models were
utterly discarded, and not only was the real portrait preserved, but
also the very attitude in which the victory was gained. Even horses
which had borne off prizes, were reproduced by the exactest imitative
skill, and all the most natural forms were elevated to that ideal of
perfection which constituted the models of excellence, and the best
incentive to yet higher improvement of surpassing worth.
Public-domain text, read in full here on John Shaqi.
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