Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
In the Periclean age, art was held as a glory, not as a luxury. Private
life was frugal and modest, while the public monuments were soaring in
proudest display. Socrates, the cotemporary of Pericles, according to
his own testimony preserved by Xenophon, occupied a house which, with
all it contained, was valued at five minæ, or about ninety dollars.
The dwellings of Miltiades, Aristides, Themistocles, and Cimon were
contracted and devoid of all decoration. Alcibiades was the first who
introduced painting as an ornament to his living apartments. But a
passion for art actuated all classes, and was most prominent in the
highest. Thus the beautiful Elpinice, sister of Cimon, took a pride
in being a model to Polygnotus, at the same time her potent brother,
at the head of the republic, triumphed over the mighty king. With
kindred zeal, the populace of Croton gathered all the fairest damsels
before Zeuxis, in order that from them he might select the best
features with which to execute their commission to paint Helen. The
astonishing progress made at that period in sculpture and painting was
seen in the contrast which existed between an Indian idol, or Egyptian
Isis, and the Jupiter of Phidias; between the infantile fancies of a
Chinese designer, and the ineffable charms of a picture by Apelles.
While Socrates employed the language of Homer as the medium of moral
discourse, and Plato thence derived images and reasoning to convey the
theologies of Orpheus and Pythagoras, Agatharcus invented dramatic
painting, and drew for Æschylus the first scene that ever agreed with
the rules of linear perspective. A picture of the battle of Marathon,
representing Miltiades erect in the foreground, was solemnly guarded
by the public, and deemed an adequate reward by that great captain.
A pendant to this is said to have been one representing Aristides
watching at night over the bloody field, in sight of the blue sea, no
longer crowded by the barbarian fleet, and the white columns of the
temple of Hercules, near which the Athenians had pitched their tents.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account