Mrs. Crane found Poole in his little sitting-room, hung round with prints of opera-dancers, prize-fighters, race-horses, and the dog Billy. Samuel Dolly was in full dress. His cheeks, usually so pale, seemed much flushed. He was evidently in a state of high excitement, bowed extremely low to Mrs. Crane, called her Countess, asked if she had been lately on the Continent and if she knew Madame Caumartin, and whether the nobility at St. Petersburg were jolly, or stuck-up fellows, who gave themselves airs,--not waiting for her answer. In fact his mind was unquestionably disordered. Arabella Crane abruptly laid her hand on his shoulder. "You are going to the gallows," she said suddenly. "Down on your knees, and tell me all, and I will keep your secret, and save you; lie, and you are lost!" Poole burst into tears, and dropped on his knees as he was told. In ten minutes Mrs. Crane knew all that she cared to know, possessed herself of Losely's letters, and, leaving Poole less light-headed and more light-hearted, she hastened to Uncle Sam at the Gloucester Coffee- house. "Take your nephew, out of town this evening, and do not let him from your sight for the next six months. Hark you, he will never be a good man; but you may save him from the hulks. Do so. Take my advice." She was gone before Uncle Sam could answer. She next proceeded to the private house of the detective with whom she had before conferred; this time less to give than to receive information. Not half an hour after her interview with him, Arabella Crane stood in the street wherein was placed the showy house of Madame Caumartin. The lamps in the street were now lighted; the street, even at day a quiet one, was comparatively deserted. All the windows in the Frenchwoman's house were closed with shutters and curtains, except on the drawing-room floor. From those the lights within streamed over a balcony filled with gay plants; one of the casements was partially open. And now and then, where the watcher stood, she could just catch the glimpse of a passing form behind the muslin draperies, or hear the sound of some louder laugh. In her dark-gray dress and still darker mantle, Arabella Crane stood motionless, her eyes fixed on those windows. The rare foot-passenger who brushed by her turned involuntarily to glance at the countenance of one so still, and then as involuntarily to survey the house to which that countenance was lifted. No such observer so incurious as not to hazard conjecture what evil to that house was boded by the dark lurid eyes that watched it with so fixed a menace. Thus she remained, sometimes, indeed, moving from her post, as a sentry moves from his, slowly pacing a few steps to and fro, returning to the same place, and again motionless; thus she remained for hours. Evening deepened into night; night grew near to dawn: she was still there in that street, and still her eyes were on that house. At