What Will He Do with It? — Volume 07Lytton, Edward Bulwer Lytton, Baron
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What Will He Do with It? — Volume 07
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Arabella, thus roused from her first listlessness, sought to requite
Darrell's kindness by exerting every energy to render his insipid
daughter an accomplished woman. So far as mere ornamental education
extends, the teacher was more successful than, with all her experience,
her skill, and her zeal, she had presumed to anticipate. Matilda,
without ear, or taste, or love for music, became a very fair mechanical
musician. Without one artistic predisposition, she achieved the science
of perspective--she attained even to the mixture of colours--she filled a
portfolio with drawings which no young lady need have been ashamed to see
circling round a drawing-room. She carried Matilda's thin mind to the
farthest bound it could have reached without snapping, through an elegant
range of selected histories and harmless feminine classics--through
Gallic dialogues--through Tuscan themes--through Teuton verbs--yea,
across the invaded bounds of astonished Science into the Elementary
Ologies. And all this being done, Matilda Darrell was exactly the same
creature that she was before. In all that related to character, to
inclinations, to heart, even that consummate teacher could give no
intelligible answer, when Mrs. Lyndsay in her softest accents (and no
accents ever were softer) sighed: "Poor dear Matilda! can you make her
out, Miss Fossett?" Miss Fossett could not make her out. But, after the
most attentive study, Miss Fossett had inly decided that there was
nothing to make out--that, like many other very nice girls, Matilda
Darrell was a harmless nullity, what you call "a Miss" white deal or
willow, to which Miss Fossett had done all in the way of increasing its
value as ornamental furniture, when she had veneered it over with
rosewood or satinwood, enriched its edges with ormolu, and strewed its
surface with nicknacks and albums. But Arabella firmly believed Matilda
Darrell to be a quiet, honest, good sort of "Miss," on the whole--very
fond of her, Arabella. The teacher had been several months in Darrell's
family, when Caroline Lyndsay, who had been almost domesticated with
Matilda (sharing the lessons bestowed on the latter, whether by Miss
Fossett or visiting masters), was taken away by Mrs. Lyndsay on a
visit to the old Marchioness of Montfort. Matilda, who was to come out
the next year, was thus almost exclusively with Arabella, who redoubled
all her pains to veneer the white deal, and protect with ormolu its
feeble edges--so that, when it "came out," all should admire that
thoroughly fashionable piece of furniture. It was the habit of Miss
Fossett and her pupil to take a morning walk in the quiet retreats of the
Green Park; and one morning, as they were thus strolling, nursery-maids
and children, and elderly folks who were ordered to take early exercises,
undulating round their unsuspecting way,--suddenly, right upon their path
(unlooked--for as the wolf that startled Horace in the Sabine wood, but
Public-domain text, read in full here on John Shaqi.
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