London (England) -- Fiction; Man-woman relationships -- Fiction; Mystery fiction
A sudden suggestion occurred to me to obtain possession of it. It might
be of the greatest use to us in establishing the unfortunate man's
identity. I therefore took it up, glanced at it, and in an abstracted
manner placed it upon a side table near a curtain, intending later on to
transfer it to the pocket of my overcoat--even at the risk of committing
the offence of theft. In this I saw no harm. I was seeking to solve a
mystery; and surely every mode was fair, now that a man had been done to
death.
I recollected Eric's terrible accusation, and held my breath.
Yes, he was Sybil's secret lover without a doubt. Those letters were
sufficient proof of that.
And yet was it not strange that Mrs Parham should place the portrait in
her room in a position so conspicuous?
The constable was as much puzzled as myself regarding the motive of the
attack.
My own theory was that there had been two men lurking in the house, and
hearing Mrs Parham playing the piano, they managed to enter the room
unobserved, for there was a large Japanese screen before the door. An
instant afterwards the maid entered, switched on the light, and let down
the blinds, but while doing so, the men so suddenly discovered made a
bold attack upon both, deftly twisting the scarves about their faces ere
either of them could call for assistance.
The maid had evidently been attacked from behind by one of the men
concealed at the back of the curtain at the moment when she had lowered
the last blind. From this fact I suspected that the girl knew them and
they feared recognition.
Yet the reason of that bold, desperate attack was surely an entire
mystery.
Subsequent examination showed that they must have entered the front door
with a duplicate key, probably almost immediately before, otherwise the
gardener or Mrs Parham herself must have seen them approaching the
house.
But when they had so successfully silenced both mistress and maid, what
had been their next action? That was the mystery.
At first my impulse was to explain what I had seen from the pavement,
yet I saw, on due reflection, that it was far better to keep that
knowledge to myself, more especially if I could manage to obtain
possession of that very valuable piece of evidence, the dead man's
photograph.
Laking went into the other rooms on the ground floor, and switched on
the light in all of them, while the constable and myself made a careful
examination in order to see whether any robbery had taken place. As far
as we could ascertain, however, nothing had been disturbed. No drawer
stood open, and although in both dining-room and library were large
glass cases filled with valuable antiques, china, enamels, miniatures
and old glass, nothing had apparently been touched.
"I wonder if the men are in the 'ouse now?" suggested the maid-servant
suddenly, the word "man" being always very expressive in the vocabulary
of the kitchen.
Public-domain text, read in full here on John Shaqi.
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