The function of afternoon tea was still being languidly observed in the
big drawing-room when Yeovil returned to Berkshire Street. Cicely was
playing the part of hostess to a man of perhaps forty-one years of age,
who looked slightly older from his palpable attempts to look very much
younger. Percival Plarsey was a plump, pale-faced, short-legged
individual, with puffy cheeks, over-prominent nose, and thin colourless
hair. His mother, with nothing more than maternal prejudice to excuse
her, had discovered some twenty odd years ago that he was a well-favoured
young man, and had easily imbued her son with the same opinion. The
slipping away of years and the natural transition of the unathletic boy
into the podgy unhealthy-looking man did little to weaken the tradition;
Plarsey had never been able to relinquish the idea that a youthful charm
and comeliness still centred in his person, and laboured daily at his
toilet with the devotion that a hopelessly lost cause is so often able to
inspire. He babbled incessantly about himself and the accessory
futilities of his life in short, neat, complacent sentences, and in a
voice that Ronald Storre said reminded one of a fat bishop blessing a
butter-making competition. While he babbled he kept his eyes fastened on
his listeners to observe the impression which his important little
announcements and pronouncements were making. On the present occasion he
was pattering forth a detailed description of the upholstery and fittings
of his new music-room.
"All the hangings, violette de Parme, all the furniture, rosewood. The
only ornament in the room is a replica of the Mozart statue in Vienna.
Nothing but Mozart is to be played in the room. Absolutely, nothing but
Mozart."
"You will get rather tired of that, won't you?" said Cicely, feeling that
she was expected to comment on this tremendous announcement.
"One gets tired of everything," said Plarsey, with a fat little sigh of
resignation. "I can't tell you how tired I am of Rubenstein, and one day
I suppose I shall be tired of Mozart, and violette de Parme and rosewood.
I never thought it possible that I could ever tire of jonquils, and now I
simply won't have one in the house. Oh, the scene the other day because
some one brought some jonquils into the house! I'm afraid I was
dreadfully rude, but I really couldn't help it."
He could talk like this through a long summer day or a long winter
evening.
Yeovil belonged to a race forbidden to bear arms. At the moment he would
gladly have contented himself with the weapons with which nature had
endowed him, if he might have kicked and pommelled the abhorrent specimen
of male humanity whom he saw before him.
Instead he broke into the conversation with an inspired flash of
malicious untruthfulness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account