She removed a pile of plates from the Gothic window, and they leant out of it. Close opposite, wedged between mean houses, there rose up one of the great towers. It is your tower: you stretch a barricade between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. “It reaches up to heaven,” said Philip, “and down to the other place.” The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. “Is it to be a symbol of the town?” She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. “Surely that isn’t an opera-bill?” said Miss Abbott. Philip put on his pince-nez. “‘Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening.’ “But is there an opera? Right up here?” “Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don’t love music silently, like the beastly Germans. The audience takes its share--sometimes more.” “Can’t we go?” He turned on her, but not unkindly. “But we’re here to rescue a child!” He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door.