“We do all right,” said Philip, amused at her unwonted vanity. “Yes, I know; but pretty things pack as easily as ugly ones. We had no need to come to Italy like guys.” This time he did not reply, “But we’re here to rescue a baby.” For he saw a charming picture, as charming a picture as he had seen for years--the hot red theatre; outside the theatre, towers and dark gates and mediaeval walls; beyond the walls olive-trees in the starlight and white winding roads and fireflies and untroubled dust; and here in the middle of it all, Miss Abbott, wishing she had not come looking like a guy. She had made the right remark. Most undoubtedly she had made the right remark. This stiff suburban woman was unbending before the shrine. “Don’t you like it at all?” he asked her. “Most awfully.” And by this bald interchange they convinced each other that Romance was here. Harriet, meanwhile, had been coughing ominously at the drop-scene, which presently rose on the grounds of Ravenswood, and the chorus of Scotch retainers burst into cry. The audience accompanied with tappings and drummings, swaying in the melody like corn in the wind. Harriet, though she did not care for music, knew how to listen to it. She uttered an acid “Shish!” “Shut it,” whispered her brother. “We must make a stand from the beginning. They’re talking.” “It is tiresome,” murmured Miss Abbott; “but perhaps it isn’t for us to interfere.” Harriet shook her head and shished again. The people were quiet, not because it is wrong to talk during a chorus, but because it is natural to be civil to a visitor. For a little time she kept the whole house in order, and could smile at her brother complacently. Her success annoyed him. He had grasped the principle of opera in Italy--it aims not at illusion but at entertainment--and he did not want this great evening-party to turn into a prayer-meeting. But soon the boxes began to fill, and Harriet’s power was over. Families greeted each other across the auditorium. People in the pit hailed their brothers and sons in the chorus, and told them how well they were singing. When Lucia appeared by the fountain there was loud applause, and cries of “Welcome to Monteriano!” “Ridiculous babies!” said Harriet, settling down in her stall. “Why, it is the famous hot lady of the Apennines,” cried Philip; “the one who had never, never before--” “Ugh! Don’t. She will be very vulgar. And I’m sure it’s even worse here than in the tunnel. I wish we’d never--” Lucia began to sing, and there was a moment’s silence. She was stout and ugly; but her voice was still beautiful, and as she sang the theatre murmured like a hive of happy bees. All through the coloratura she was accompanied by sighs, and its top note was drowned in a shout of universal joy.