I noticed that their ideas never went beyond what they were accustomed
to see constantly about them; that the origin of their characteristic
weapon, the boomerang, was the eucalyptus leaf, that long leaf which
turns its thin edge to the light, and when it falls from the tree
circles in its descent as do those formidable implements of defence;
that in their songs and dances they told a tale of nature as they saw
it; and then I began to understand that where their strength lay I
might find mine also, and so I became a realist, and learnt never to
begin a sentence or paint a sketch unless I had a definite object, with
its shape, size, colouring, and character vividly before me.
Then I advanced another step in this primitive school of nature. I
learnt that these people never wasted words when they wished to express
themselves, and so I began to see how much stronger brevity is than
ornate and laboured phraseology, and how much finer an ornament is when
standing isolated and in no way disguised by superfluous flourishes; and
then I think my education was complete as far as the Australian
aboriginal could instruct me.
I very soon found plenty to do, and never afterwards wanted a subject. I
studied the gum-tree, with its perfect flower, where the male and female
are united from birth, and those medicinal leaves which look so sparse,
but are so closely put together, the density of which can only be seen
when the hurricane blows them about until they are like our willow-trees
at home. I watched the sturdy, twisted, gleaming branches, like great
white snakes, so different from any other branches of trees, until I
grew to love them.
(I remember how an all-wise art editor once objected to one of my
representations of a gum-tree because he said that the branches were so
_serpentine_, and therefore not like the trees which he had been
accustomed to see. I might have overlooked his ignorant remark, but I
found it difficult to forgive his sending my drawing to another artist,
who took the _serpentine_ appearance out of the branches, and so made
them appear like the trees to which he had been accustomed, before it
was allowed to be seen in print, and I have often wondered what the
people accustomed to real gum-trees have said about this
London-manufactured gum-tree.)
Those wonderful gum-trunks, with the bark hanging in long strips from
them like fluttering rags of brown sails! Mighty trees, some of them
rising four hundred feet into the blue-grey sky, and large enough in
girth to make good-sized houses, yet appearing beside their giant
brethren just like ordinary trees, until we began to measure their
circumference--size is so deceptive in this strange and vast sun-bathed
land, Australia.
What a deal I have written already about this one tree of Australia, in
all its many varieties, and yet I feel so much more than I can ever
express, either with brush or pen; it has grown so much a part of
myself.
Public-domain text, read in full here on John Shaqi.
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