Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
"Who's wounded?" cried Willie Dalzel. "Ain't anybody wounded?" The
party professed themselves well and sound. The roving and inventive
eye of the chief chanced upon Homer Phelps. "Ho! Here's a dead man!
Come on, fellers, here's a dead man! We've got to bury him, you know."
And at his bidding they pounced upon the dead Phelps lad. The unhappy
boy saw clearly his road to rehabilitation, but mind and body revolted
at the idea of burial, even as they had revolted at the thought of
execution. "No!" he said, stubbornly. "No! I don't want to be buried!
I don't want to be buried!"
[Illustration: THE FUNERAL ORATION]
"You've _got_ to be buried!" yelled the chief, passionately. "'Tain't
goin' to hurt ye, is it? Think you're made of glass? Come on, fellers,
get the grave ready!"
They scattered hemlock boughs upon the snow in the form of a
rectangle, and piled other boughs near at hand. The victim surveyed
these preparations with a glassy eye. When all was ready, the chief
turned determinedly to him: "Come on now, Homer. We've got to carry
you to the grave. Get him by the legs, Jim!"
Little Phelps had now passed into that state which may be described as
a curious and temporary childish fatalism. He still objected, but it
was only feeble muttering, as if he did not know what he spoke. In
some confusion they carried him to the rectangle of hemlock boughs
and dropped him. Then they piled other boughs upon him until he was
not to be seen. The chief stepped forward to make a short address, but
before proceeding with it he thought it expedient, from certain
indications, to speak to the grave itself. "Lie still, can't ye? Lie
still until I get through." There was a faint movement of the boughs,
and then a perfect silence.
The chief took off his hat. Those who watched him could see that his
face was harrowed with emotion. "Pards," he began, brokenly--"pards,
we've got one more debt to pay them murderin' red-skins. Bowie-knife
Joe was a brave man an' a good pard, but--he's gone now--gone." He
paused for a moment, overcome, and the stillness was only broken by
the deep manly grief of Jimmie Trescott.
XI
THE FIGHT
I
Public-domain text, read in full here on John Shaqi.
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