In the chapel the candles were already lit, though the sun had not entirely set and stood in the windows, low, golden, and ruddy, casting a lustre on the white cloth which covered the altar and on the heads of the women. At the very altar the lady of the house knelt, behind her the lady visitors; after them the female servants and the old asthmatic lackey, while the gentlemen stood at the wall between the windows. The customary songs, prayers, and litanies began. Their sweetness struck Gronski. There was in them something of spring and at the same time of the evening. The impression of the spring was created by the flowers, and of the evening by ruddy lustre entering through the windows, and the soft voices of the women who, repeating the choral words of the litanies, reminded one of the last chirp of birds, subsiding before the setting of the sun. "Healer of the sick. Refuge of sinners, Comforter of the afflicted," repeated Pani Krzycki; and those soft, subdued voices responded, "Pray for us,"--and thus did that country home pray on that May evening. Gronski, who was a sceptic, but not an atheist, like a man of high culture, at first felt the æsthetic side of this childlike "good-night" borne by these women to a benign deity. Afterwards, as if desiring to corroborate the truth of Dolhanski's assertion that he was wont to turn over every subject on every side and to ponder over every phenomenon, he began to meditate upon religious manifestations. It occurred to him that this homage rendered to a deity was an element purely ideal, possessed solely by humanity. He recalled that as often as he happened to be in church and saw people praying, so often was he struck by the unfathomable chasm which separates the world of man from the animal world. As a matter of fact, religious conceptions can only be formed by higher and more perfect organisms; therefore he drew the conclusion that if there existed beings ten times more intelligent than mankind, they would, in their own way, be ten times more religious. "Yes, but in their own way," Gronski repeated, "which perhaps might be very different." His spiritual drama (and he often thought that there were many people like him) was this: that the Absolute appeared to him as an abyss, as some synthetic law of all the laws of existence. Thus he presumed that according to a degree of mental development it was impossible to imagine that law in the form of the kindly old man or in the eye on the radiant triangle, unless one takes matters symbolically and assumes that the old man and the eye express the all-basis of existence, as the horizontally drawn eight denotes infinity. But in such case what will this all-basis be for him? Always night, always an abyss, always something inscrutable; barely to be felt by some dull sensation and not by any clear perception, from whose power can be understood the phenomenon of existence and an answer be made to the various whys and wherefores. "Mankind," mused Gronski,